Tell It to the Dead

<body topmargin=0 leftmargin=0 marginheight=0 marginwidth=0> <table cellpadding=0 cellspacing=0 border=0 height="100%"><tr> <td valign="top" width=1 style="border-right: 1px solid #555555;" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> </td> <td valign="top" width="100%" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1293" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 206 ><NOBR><div> <IMG SRC="cbb0ac80.png" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="cbc0ac80.png" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="cb70ac80.png" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#330000 WIDTH="477"><bR> <div> Run For Your Life</div> <div> Starring Ben Gazzara</div> <div> <A HREF="index.htm" TARGET="_top" TITLE="Ben Gazzara Episode Guide to Run For Yo">Homepage</A></div> <bR> <bR> <bR> <div> Episode:</div> <div> Tell It to the Dead</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1285" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP BGCOLOR=#330000 HEIGHT= 56 WIDTH="797"><bR> <div>           <A HREF="videos.htm" TARGET="_top" TITLE="Video List">List of Videos</A>           <A HREF="http://run4.us/journal/" TARGET="_top" TITLE="http://run4.us/journal/"> Paul Bryan's Journal</A> (and Chronology of Events)</div> </tD> <tD VALIGN=TOP WIDTH="477"><bR> <div> To contact us, click Homepage link above</div> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <div>   </div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1069" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 197 WIDTH="599"><div> Synopsis: When rebels in a breakaway Himalayan state hold Paul and two American women as espionage suspects, he finds himself the object of one's special plan for his immortality.  With Linden Chiles as Jay Saunders, Karen Black as Jennifer Palmer, Michele Carey as Margo, David Mauro as the Sikh Lieutenant, Than Wyenn as the Chief of Staff, Peter Bourne as the Swedish Captain, Aly Wassil as the Jamalese Sergeant, Don Rizzan as the 1st Male Nurse</div> <bR> </tD> <tD VALIGN=TOP><NOBR><div> Episode 58</div> <div> Season 2 - #28</div> <div> First broadcast on</div> <div> April 10, 1967</div> <div> Teleplay by Luther Davis</div> <div> Story by Philip De Guere, Jr. & Betty Andrews</div> <div> Directed by Leo Penn</div> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> SEE INDIVIDUAL PHOTOS OF ENTIRE CAST AT THE BOTTOM OF THIS PAGE</div> <bR> <bR> <div> <A HREF="http://run4.us/journal/26_31august65.htm" TARGET="_top" TITLE="http://run4.us/journal/26_31august65.htm"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1179" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 7088 ><NOBR><div> Creative Team</div> <bR> <div> Producer</div> <div>      Jo Swerling Jr</div> <div> Associate Producer</div> <div>      Paul Freeman</div> <div> Music</div> <div>      Pete Rugolo</div> <div> Director of Photography</div> <div>     John L. Russell  A.S.C.</div> <div> Art Director</div> <div>      Robert MacKichan</div> <div> Film Editor</div> <div>      Nick Archer</div> <div> Unit Manager</div> <div>      Hilton A. Green</div> <div> Assistant Director</div> <div>      George Bisk</div> <div> Set Decorators</div> <div>      John McCartey  &</div> <div>     Robert C. Bradfield</div> <div> Sound</div> <div>      Ed Sommers</div> <div> Color  Coordinator</div> <div>      Robert Brower</div> <div> Color by Technicolor</div> <div> Editorial Dept. Head</div> <div>      Richard Belding</div> <div> Musical Supervisor</div> <div>      Stanley Wilson</div> <div> Costumes by Grady Hunt</div> <div> Makeup</div> <div>      Bud Westmore</div> <div> Hair Stylist</div> <div>      Larry Germain</div> <div> Assistant to Executive Producer</div> <div>      Robert Foster</div> <bR> <div> Links to Other Episodes</div> <div> <A HREF="raptureat240.htm" TARGET="_top" TITLE="Rapture at Two Forty">Rapture at Two Forty</A></div> <div> <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">The Cold, Cold War </A></div> <div>   <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">of Paul Bryan</A></div> <div> <A HREF="girlnextdooraspy.htm" TARGET="_top" TITLE="The Girl Next Door Is A Spy">The Girl Next Door Is A Spy</A></div> <div> <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Someone Who Makes </A></div> <div>   <A 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TITLE="Life Among the Meat Eaters">Life Among the Meat Eaters</A></div> <div> <A HREF="exchange.htm" TARGET="_top" TITLE="The Exchange">The Exchange</A></div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="c96902c0.png" border=0 width="400" height="300" ALT="Karen Black, Ben Gazzara and Michele Carey in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Their guards help fight off the attack</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The Plot:</div> <bR> <div> Paul is driving to the Jamal airport in the Himilaya when a militia takes him prisoner as well as confiscating his vehicle and documents. He is held on the road with two recently captured American women in a large military vehicle, guarded by three men. The three captives have moved only a short distance when the convoy is attacked from the air, and troops shoot at the plane, but many are killed, and with their guards gone, the three Americans manage to escape the vehicle and take cover on the ground before it is blown up.</div> </tD> </tR> </TABLE></div> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="c9a902c0.png" border=0 width="400" height="300" ALT="Michele Carey, Ben Gazzara and Karen Black, in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> The three arrive at the temple</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> When the worst of the bombing ceases the three Americans make their way overland to the local temple where the headquarters of the breakaway movement are located. They are immediately locked up on arrival, and shortly afterwards the temple is severely bombed, killing more of the freedom fighters.</div> <bR> <div> Resident with the leaders - and in their uniform - is the American journalist Jay Saunders, reporting on the birth of the new nation. The Chief of Staff asks him to talk to the new arrivals, to determine if they might be spies of the nation's Muslim enemies.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="c9c902c0.png" border=0 width="400" height="300" ALT="Linden Chiles and Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Margo goes through the documents for her own</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Saunders puts the confiscated documents on a table, and tells one of the Americans, psychologist Jennifer Palmer, to take her own. He then questions her about Paul, but she has little information. However, she has picked up something vital about him while talking to Saunders, as amongst the documents on the table is a letter about Paul's illness that he had been carrying when captured.</div> <bR> <div> While trying to ingratiate himself with Jennifer, Saunders also considers her a spy, and she is eager to get out of his presence.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="c9d902c0.png" border=0 width="400" height="300" ALT="Michele Carey and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Jennifer and Paul get acquainted</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> In a nearby room Paul is telling the other American woman, Margo, that he was on his way to Calcutta, and his next stop will be Rome. That appeals to her, and in anticipation, she kisses him then. Jennifer sees them embrace when  she opens the door briefly, but steps outside again in disappointment over this development..</div> <bR> <div> She returns a few minutes later to tell Paul that the Colonel wants to see him. Margo says that he spoke to her too, as did Saunders, and though she got her documents back, they both seemed very suspicious of her.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="c9f902c0.png" border=0 width="400" height="300" ALT="Karen Black and Michele Carey in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Margo borrows Jennifer's lipstick</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> When Paul goes, Jennifer asks to borrow Margo's lipstick, and asks if she likes Paul. Margo says that she doesn't know yet, only having kissed him once. Jennifer then asks Margo to let her have Paul. Margo is taken aback, but Jennifer tells her there are a million men for Margo, and goes on to muse that the whole war seems to have taken place to bring him to her, the one man just right for her. Jennifer says that Margo , who admits liking Paul's company, is frivolous, whereas she herself is interested in deeper things, adding that she could give Paul a baby. After asking Margo once more to leave Paul to her, Jennifer departs .</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 325 ><NOBR><div> <IMG SRC="ca1902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara and Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Margo goes to Paul who has seen the execution</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> In the evening, as the three are assembled around a pool table, they hear shots. Saunders jauntily comes in and reports that it's a firing squad executing a man and woman whose papers didn't check out.</div> <bR> <div> As Saunders begins playing pool and whistling merrily, Paul at the window is deeply affected as the couple are carried away. Margo goes over to him and asks if the execution was done decently. Rather perplexed by her question, he replies, “to the extent an indecent act can be done decently.”</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="ca2902c0.png" border=0 width="400" height="300" ALT="Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Margo asks Paul if he is afraid of death</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> “To a good Hindu, death is a release of the soul,” she says quietly, but with authority, adding softly, that it is a great ritual.</div> <bR> <div> “They say that all souls are part of the ultimate soul,” Paul replies thoughtfully, and Margo says that with that belief, one wouldn't be so afraid of death.</div> <bR> <div> Paul turns away, then asks if Margo is afraid of death, and she answers that up until today, it was something very impersonal, but now, what she fears is extinction. “The ego wants to live on,” she says, then adds faintly, “mine does.”</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="ca3902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara and Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Margo suggests children would give Paul immortality</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> After a pause, she asks Paul, “doesn't yours?”</div> <bR> <div> “Naturally,” he replies, and the tone lightens when Margo suggests building oneself a great memorial like the one they're in, and Paul declaring today's building costs too high to create one for him.</div> <bR> <div> But Margo has reached the aim of her talk with Paul, and points out that in western civilization, even the poorest of the poor have an opportunity for biological immortality. She then asks Paul if he'd ever thought of living on by having children.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="ca4902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul's reaction to Margo's question is negative silence</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul only looks back at her crossly until Saunders calls him over to the pool table, saying that the new government has been the victim of much sabotage, subversion and espionage. He declares that their Muslim enemies have bombed numerous strategic installations, seeming to have great knowledge of troop disposition and movements.</div> <bR> <div> Saunders' tone clearly implies that Paul or one of the others may be the source of this information about military operations, and his oily manner irritates more than frightens them, though a danger seems present.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="cba902c0.png" border=0 width="400" height="300" ALT="Karen Black, Linden Chiles, Ben Gazzara and Michele Carey in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Saunders says he's suspicious of them all</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Margo asks Saunders what he told the Colonel about them. Blithely he replies, “I told the Colonel that I didn't know anything about you.”</div> <bR> <div> Then he adds a little more urgently that a lot of people are being killed because confidential information is reaching the enemy - and none of the three Americans has any visible means of support, and thus might be the kind of individuals who could deliver a package or make a phone call for some handy money. Margo cozies up to Saunders then, and they leave the room together.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="ca8902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara and Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Margo tells Paul that she isn't so cool as he thinks</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> When they've gone, Jennifer says that Margo is very intelligent, whereas she herself, an intellectual, is not as bright. She shudders at the sound of a nearby explosion, and Paul comments that she is afraid - in an intellectual sort of way, though coolly detached.</div> <bR> <div> Getting a little closer to Paul, Jennifer says simperingly, “I'm not so cool, am I?  Maybe a little awkward.” Then she kisses him, and in the same moment, bombs start falling. Paul and Jennifer flee under the pool table, and he tries his best to protect her as fire bombs fall constantly from the air.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 326 WIDTH="407"><div> <IMG SRC="ca7902c0.png" border=0 width="400" height="300" ALT="Michele Carey and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0">Paul rescues Jennifer</div> </tD> <tD VALIGN=TOP WIDTH="401"><div> The attack is huge and seemingly endless, and in the morning, it is clear that many have been killed.</div> <bR> <div> The temple headquarters has been badly damaged, and is now deserted, but the only injury suffered by the four Americans is Saunders' broken arm. Paul tells him that the leaders have set up a new headquarters down the road.</div> <bR> <div> Paul then goes to find Margo who has barricaded herself in Saunders' room. He brings her out, and find Saunders' arm being dealt with by a medic.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="cad902c0.png" border=0 width="400" height="300" ALT="Karen Black and Michele Carey in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul leaves the women to decide which will go with him</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> A Swedish UN Captain is on the scene, and appears to have everything under control. Asking if Paul can drive a jeep, he announces that one will be available in the morning, and Paul can drive one of the women to the airfield with an armed guard. The other lady will be able to leave by truck later in the day.</div> <bR> <div> Saunders declares himself wounded, and says he has stories to file. The Captain salutes him and leaves. Paul goes out as well, letting the ladies decide between themselves which one will depart with him in the jeep.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="caa902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara and Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Jennifer attempts to kiss Paul</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> That night Jennifer comes into the room where Paul is sleeping. She lights a cigarette for him, then kisses him, but after a moment he draws back, and says that he had taken her for the shy type.</div> <bR> <div> Jennifer says that she usually is, and Paul replies that she should go back to that, adding that aggressiveness is not a girl's best friend.</div> <bR> <div> She starts to say, that of all the men she's ever met, and he breaks in and finishes her sentence, "that he's the one who was there when she was being shot at."</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="cac902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara and Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul tells Jennifer she doesn't know what she is saying</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> But Jennifer says it's more a matter of her having to face total and permanent annihilation for the first time, and she could die like so many have around them in the last hours. This has made her do a lot of thinking in a short time, and she says that she wants to share everything she has with Paul.</div> <bR> <div> He tells her that the phoney war has put a lot of things out of perspective, and many things that they were feeling were phoney too. But Jennifer protests that she loves Paul and has something valuable to offer him. He says that she doesn't know what she is saying.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="cab902c0.png" border=0 width="400" height="300" ALT="Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Jennifer offers Paul continuation</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> But Jennifer jumps up, and eagerly tells him that her thesis is on the compulsion of every human being for a sense of continuity after death. Bewildered, Paul says that he doesn't understand, and wants to know what her thesis has to do with what they were talking about.</div> <bR> <div> Jennifer says that it's not just a thesis, but a truth, and applies to Paul as much as anyone else. “Don't you see, Paul,” she says, “I can help you achieve that sense of continuation,” and to Paul's further confusion, she tells him that she would be a wonderful healthy mother for his child.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="caf902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara and Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul asks if she just wants him for a footnote in her thesis</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul is at a loss, and says that she has a weird sense of humor, adding that the words are clear, but the meaning keeps slipping away. Jennifer says that she is offering Paul something priceless - immortality.</div> <bR> <div> “Why me?” he asks. “Give me one rational, logical reason.” Jennifer replies that she saw a letter to him from The Garms Clinic.  </div> <bR> <div> He gets up. “So you want to have a baby without a man to interfere with the way you bring it up? Is that it?” he asks challengingly, adding, “or do you just think I'd make an interesting note in that thesis of yours?”</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 671 ><NOBR><div> <IMG SRC="cb0902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara and Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Jennifer insists she has something of value to offer</div> <bR> <div> <IMG SRC="cb1902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara and Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul says that he's already rejected her idea</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> But Jennifer repeats that she has something valuable to offer him, insisting, “no one can face death or even life without some sense of immortality”</div> <bR> <div> “I can,” he interrupts intensely.</div> <bR> <div> Jennifer nevertheless persists, asking “can you think of a better mother than a trained psychologist?”</div> <bR> <div> He rejects her again, and she declares, “think what it can mean to you!”</div> <bR> <div> “I have thought of it, and I think parents owe something to children - like two parents. I thought of it, and I discarded the idea as incredibly selfish. Impossibly selfish! And if I were to do something like that, I wouldn't do it with a cold-hearted, clinical …..”</div> <bR> <div> She interrupts, protesting that she isn't cold, but he says that she'd bring up a child like some specimen on a lab slide.</div> <bR> <div> She starts to run off, and Paul says, “Jennifer, the world is not a clinic. Stop looking at everything through a microscope.”</div> <bR> <div> Then, more gently, he tells her that if she did, she might find it pleasant.</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 635 ><NOBR><div> <IMG SRC="cb3900e0.png" border=0 width="400" height="270" ALT="Karen Black and Peter Bourne in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> The UN Captain has arranged Jennifer's transport</div> <bR> <div> <IMG SRC="cb4902c0.png" border=0 width="400" height="300" ALT="Michele Carey, Ben Gazzara and Karen Black, in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> They hear news of the ceasefire</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The next day, the UN Captain tells Jennifer that he's arranged transport to the airport for her, and she goes over to Paul's jeep to say goodbye to him and to Margo.</div> <bR> <div> She thanks him for being there for her when the bombs were falling, and tells Margo that she'll love Rome.</div> <bR> <div> Just before they leave, Saunders tunes in the radio, from which they hear an announcement that a ceasefire has been agreed, all fighting to stop at 8 am.</div> <bR> <div> Under the terms of the UN-brokered agreement, a committee will be formed under the supervision of the Secretary General to draft a treaty which will result in a permanent settlement to the dispute.</div> <bR> <div> In the meantime, both sides have agreed to stabilize the situation as it was before the first shots were fired 24 hours earlier.</div> <bR> <div> Margo shouts out to the hundreds of dead bodies which have been lined up along the road, “hey there, did you hear that?”</div> <bR> <div> Then Paul drives away.</div> </tD> </tR> </TABLE></div> <bR> <bR> </NOBR></tD> </tR> </TABLE></div> <bR> <div> <IMG SRC="287281e0.gif" border=0 width="40" height="30" ALIGN="BOTTOM" HSPACE="0" VSPACE="0">Notes & Comments: Episodes which could - with a few name changes - be slotted into many other legal, spy, detective or thriller series are all too common in Run For Your Life, so one which specifically relates to Paul's predicament is always welcome.</div> <bR> <div> With a moral referred to in the title, and an offbeat location, it rates taking notice of.</div> <bR> <bR> <bR> <DIV ALIGN="LEFT"></DIV> <div> <A HREF="http://run4.us/journal/26_31august65.htm" TARGET="_top" TITLE="http://run4.us/journal/26_31august65.htm"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1259" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 272 ><NOBR><div> <IMG SRC="c98a4dc0.png" border=0 width="164" height="220" ALT="Linden Chiles in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Linden Chiles as</div> <div> Jay Saunders</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="c9e97dc0.png" border=0 width="151" height="220" ALT="Michele Carey in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Michele Carey</div> <div> as Margo</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="ca0a2dc0.png" border=0 width="162" height="220" ALT="Karen Black in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Karen Black as</div> <div> Jennifer Palmer</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="c94acdc0.png" border=0 width="172" height="220" ALT="David Mauro in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> David Mauro as</div> <div> the Sikh Lieutenant</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="c97aedc0.png" border=0 width="174" height="220" ALT="Than Wyenn in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Than Wyenn as</div> <div> the Chief of Staff</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="ca9a7dc0.png" border=0 width="167" height="220" ALT="Peter Bourne in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Peter Bourne as</div> <div> the Swedish Captain</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="186"><div> <IMG SRC="c99a6dc0.png" border=0 width="166" height="220" ALT="Aly Wassil in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Aly Wassil as the Jamalese Sergeant</div> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> Next Episode:  <A HREF="betterworldnexttime.htm" TARGET="_top" TITLE="Better World Next Time">Better World Next Time</A> </div> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <div> <IMG SRC="0dc96450.png" border=0 width="150" height="69" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </td> </tr></table></body>