The Shock of Recognition

<body topmargin=0 leftmargin=0 marginheight=0 marginwidth=0> <table cellpadding=0 cellspacing=0 border=0 height="100%"><tr> <td valign="top" width=1 style="border-right: 1px solid #555555;" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> </td> <td valign="top" width="100%" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1286" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 206 ><NOBR><div> <IMG SRC="eda0ac80.png" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="ed80ac80.png" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="1a1d0ac80.png" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#330000 WIDTH="477"><bR> <div> Run For Your Life</div> <div> Starring Ben Gazzara</div> <div> <A HREF="index.htm" TARGET="_top" TITLE="Ben Gazzara Episode Guide to Run For Yo">Homepage</A></div> <bR> <bR> <bR> <div> Episode:</div> <div> The Shock of Recognition</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1285" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP BGCOLOR=#330000 HEIGHT= 56 WIDTH="797"><bR> <div>            <A HREF="videos.htm" TARGET="_top" TITLE="Video List">List of Videos</A>           <A HREF="http://run4.us/journal/" TARGET="_top" TITLE="http://run4.us/journal/"> Paul Bryan's Journal</A> (and Chronology of Events)</div> </tD> <tD VALIGN=TOP WIDTH="477"><bR> <div> To contact us, click Homepage link above</div> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <bR> <div>   </div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1116" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 132 WIDTH="719"><div> Synopsis: Paul's romance with Anna Birrel (Marlyn Mason) in Spain hits a snag when her former fiancé, actor Charlie Harrod (Farley Granger) arrives to make a film and decides to try bull fighting. With Frank Silvera as Esteban, Gavin McLeod as Frank Glass, Walter Mathews as Leo Taber, Jose Ramon Tirado as Himself, Eric Mason as Phil Swahn, Fernando Roca as the Desk Clerk, Danny Bravo as Paco, Jack Krupnick as the 1st Reporter, Francisco Orteca as 2nd Reporter</div> </tD> <tD VALIGN=TOP WIDTH="386"><div> Episode 45</div> <div> Season 2 - #15</div> <div> First broadcast on</div> <div> January  2, 1967</div> <div> Written by John D. F. Black</div> <div> Directed by William Hale</div> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <bR> <bR> <div> SEE INDIVIDUAL PHOTOS OF ENTIRE CAST AT THE BOTTOM OF THIS PAGE</div> <bR> <bR> <bR> <div> <A HREF="http://run4.us/journal/18_22october65.htm" TARGET="_top" TITLE="http://run4.us/journal/18_22october65.ht"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <bR> <div> and watch a video clip from this episode on that page as well as <A HREF="http://www.run4.us/video/farleygranger.htm" TARGET="_top" TITLE="http://www.run4.us/video/farleygranger.h">a second in the video section</A></div> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1179" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 6159 ><NOBR><div> Creative Team</div> <bR> <div> Producer</div> <div>      Jo Swerling Jr</div> <div> Associate Producer</div> <div>      Paul Freeman</div> <div> Music</div> <div>      Pete Rugolo</div> <div> Director of Photography</div> <div>     John L. Russell A.S.C.</div> <div> Art Director</div> <div>      Howard E. Johnson</div> <div> Film Editor</div> <div>      Nicholas Archer</div> <div> Unit Manager</div> <div>      Hilton A. Green</div> <div> Assistant Director</div> <div>      Lou Watt</div> <div> Set Decorators</div> <div>      John McCartey  &</div> <div>     James M. Walters</div> <div> Sound</div> <div>      Earl Crain Sr.</div> <div> Color  Coordinator</div> <div>      Robert Brower</div> <div> Color by Technicolor</div> <div> Editorial Dept. Head</div> <div>      Richard Belding</div> <div> Musical Supervisor</div> <div>      Stanley Wilson</div> <div> Costumes Supervisor</div> <div>      Vincent Dee   </div> <div> Makeup</div> <div>      Bud Westmore</div> <div> Hair Stylist</div> <div>      Larry Germain</div> <div> Assistant to Executive Producer</div> <div>      Robert Foster</div> <bR> <bR> <div> Links to Other Episodes</div> <div> <A HREF="raptureat240.htm" TARGET="_top" TITLE="Rapture at Two Forty">Rapture at Two Forty</A></div> <div> <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">The Cold, Cold War </A></div> <div>   <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">of Paul Bryan</A></div> <div> <A HREF="girlnextdooraspy.htm" TARGET="_top" TITLE="The Girl Next Door Is A Spy">The Girl Next Door Is A Spy</A></div> <div> <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Someone Who Makes 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HREF="1badturn.htm" TARGET="_top" TITLE="One Bad Turn">One Bad Turn</A></div> <div> <A HREF="rapeoflucrece.htm" TARGET="_top" TITLE="The Rape of Lucrece">The Rape of Lucrece</A></div> <div> <A HREF="killingscene.htm" TARGET="_top" TITLE="The Killing Scene">The Killing Scene</A></div> <div> <A HREF="sarojaneyou_neverwhispered.htm" TARGET="_top" TITLE="SaroJane, You Never Whispered Again">Sara-Jane, You Never </A></div> <div> <A HREF="sarojaneyou_neverwhispered.htm" TARGET="_top" TITLE="SaroJane, You Never Whispered Again">  Whispered Again</A></div> <div> <A HREF="strategy_of_terror.htm" TARGET="_top" TITLE="Strategy of Terror">Strategy of Terror</A></div> <div> <A HREF="deadonfurlough.htm" TARGET="_top" TITLE="The Dead On Furlough">The Dead on Furlough</A></div> <div> <A HREF="bewaremylove.htm" TARGET="_top" TITLE="Beware My Love">Beware My Love</A></div> <div> <A HREF="carol.htm" TARGET="_top" TITLE="Carol">Carol</A></div> <div> <A HREF="lifeamongmeateaters.htm" TARGET="_top" TITLE="Life Among the Meat Eaters">Life Among the Meat Eaters</A></div> <div> <A HREF="exchange.htm" TARGET="_top" TITLE="The Exchange">The Exchange</A></div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="1a2b902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara, Farley Granger and Marlyn Mason in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Anna disrupts Charlie's orchestrated entrance</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The Plot:</div> <bR> <div> Paul and his date Anna Birrell are at a Spanish airport waiting for the arrival of movie star Charlie Harrod, to whom she was once engaged. The entourage of personal manager, agent and PR man bustle the actor about to stage his entry into the terminal, much to Anna's disapproval, but he comes rushing up to kiss her, bypassing the air hostess lined up to pose with him. When she introduces the actor to Paul, Charlie asks whether he is a rival for Anna's heart, and then Charlie tells her that he has no intention of letting her slip away again.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1a1e902c0.jpg" border=0 width="400" height="300" ALT="Farley Granger, Gavin McLeod and Marlyn Mason in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> With Frank Glass omni-present, Charlie asks Anna to stay</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Frank Glass, Charlie's manager asks Anna, who works for the studio, when they're due on the movie location, and then sweeps everyone away, the press following, Paul remaining behind.</div> <bR> <div> Anna says that she won't accompany the group to the embassy lunch, and goes back to Paul, much to Charlie's disappointment, and he keeps shouting back at her, trying to make a date to meet.</div> <bR> <div> When they're gone, Anna is in tears, and over a drink with Paul, she tells him that she still loves Charlie.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 306 ><NOBR><div> <IMG SRC="1a3d90180.jpg" border=0 width="400" height="280" ALT="Marlyn Mason and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Anna says she can't share Charlie with the three men</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul replies that, if she feels that way, Anna can break her date with him, if she likes, but Anna goes on to say how she was dreading this encounter with her former fiancé, who is constantly pushed around by Frank Glass and his associates, something she finds very hurtful. Anna says that they own Charlie, telling him where to go, what to do, what to buy.She adds that she could be anything Charlie wanted, but just couldn't share him with the three men. Anna then explains that it was their influence that made her walk out of Charlie's life, and she is disconcerted that he's caught up with her again.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1a2a902c0.jpg" border=0 width="400" height="300" ALT="Marlyn Mason and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul says he understands her confusion</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> When Paul replies that he can't talk her into or out of marrying Charlie, she calls him the voice of reason, but Paul counters that his is actually the voice of a man who's been there.</div> <bR> <div> [The soundtrack music is Jobim's Meditation, the song sung to him by Nicole Longet whom he nearly married in The Sadness of a Happy Time, implying his remark  is reflecting the decision he made to marry her against all his rules.]</div> <bR> <div> She asks Paul if he'll take her to dinner, and he says it can be breakfast too, if she likes</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1a29902c0.jpg" border=0 width="400" height="300" ALT="Marlyn Mason and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> That evening Anna is distracted</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Anna says that she would like that, and suggests that they run away together to lovely, out-of-the way places she knows, adding, “let me hide with you, Paul.”</div> <bR> <div> He says he's been a lot of things, but never a place to hide, and Anna tells Paul that's the way she's always thought of him, saying that he is the only true gentleman she knows.</div> <bR> <div> She promises to be more of a woman with him tonight than weepy thing she is now, but as they drink and listen to guitar music that evening, Paul is prompted to ask  Anna where she is.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 306 ><NOBR><div> <IMG SRC="1a3e90180.jpg" border=0 width="400" height="280" ALT="arley Granger and Marlyn Mason in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Anna tries to get the drunken Charlie to leave</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> She replies that she's there with him, but her mind is clearly on Charlie and his welfare under the influence of Frank Glass and the two other men who dominate his life. And whether she should be a part of that life again or have a romance with Paul. Then Charlie staggers in, extremely drunk. Anna is horrified - and surprised that Charlie was able to escape his minders - and tells Paul that he must help her get Charlie back to his hotel. When they go to his table, Charlie immediately calls Paul his enemy, but they still manage to return him to the hotel where  he continues his drunken meanderings.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 290 ><NOBR><div> <IMG SRC="1a3f90090.jpg" border=0 width="400" height="265" ALT="Ben Gazzara, Farley Granger and Marlyn Mason in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> The inebriated Charlie careens through the hotel</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Manager Frank Glass thanks Paul, and offers to reward him for getting Charlie back, but  Paul offers a harsh retort, telling him to go away or face nasty consequences.</div> <bR> <div> In Charlie's suite PR man Phil tries to assuage Paul's feelings, and Charlie declares he is Anna's to command, but when his handlers surround him, she and Paul leave. </div> <bR> <div> Anna is crestfallen, but tells Paul she'll pull herself together by morning.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1a26902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara, Gavin McLeod and Fernando Roca in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul returns the gifts from Frank Glass</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> But the next day, Frank Glass presents Paul with the promised gifts, and tells him that Anna and Charlie have gone off together, something Frank doesn't like at all.</div> <bR> <div> Moreover, he says that he doesn't want Charlie and Paul to come to blows over Anna, worrying that Paul might hit or sue the actor.</div> <bR> <div> Paul returns to his room, and tells the desk clerk to make up his bill and reserve onward travel arrangements - to anywhere. When he goes to check out, there's a note for Paul from Frank. </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="1a4090180.jpg" border=0 width="400" height="280" ALT="Marlyn Mason and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul tells Anna that he's leaving Spain</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> So, instead of going direct to the airport and leaving Anna's car there for her, he drives out to a location where bull fighters are being trained. He observes Charlie learning to fight a bull, then goes up to Anna to tell her he's brought her car, meaning that any possible romance between them is over, and that Paul is leaving Spain. </div> <bR> <div> Anna tells him that she owes him an explanation, and says that Charlie has bought a bull which he intends to fight, adding that she's come here with him to talk the actor out of the madness.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="1a4290180.jpg" border=0 width="400" height="280" ALT="Ben Gazzara, Farley Granger and Marlyn Mason in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Charlie tells Paul that he loves Anna</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><bR> <div> Charlie walks up, and says, “but she won't,” and apologizes for his behavior the previous night. He then introduces Paul to matador Estaban Aguilar, proprietor of the bull ranch,  who presents his protégé Jose Ramon Tirado. </div> <bR> <div> Charlie returns and tells Paul that he loves Anna, and wants to marry her, then - since Paul no longer has a car - Charlie invites him to stay overnight at the establishment as his guest, fearing that if Paul left, Anna might go with him.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1a2c902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara, Farley Granger and Frank Silvera in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Estaban demonstrates technique</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Estaban is instructing Charlie in the art of bull fighting. Charlie suggests that Paul give it a try, but he replies that motor racing is more his sport.</div> <bR> <div> “It would be very good for my ego, Paul,” Charlie adds, “someone else who didn't know what the devil they were doing.”</div> <bR> <div> Anna watches them both practicing, very distressed. Estaban demonstrates how to kill the bull with a sword. Paul says that, for him, the bull should stay forever young, and go back to the green grass and his lady friends.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1a30902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara and Farley Granger in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Charlie doesn't understand Paul's disinterest in bull fighting</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Charlie is puzzled by Paul's attitude, and wonders why the test of courage doesn't appeal to him.  But Paul continues to show no interest in fighting a bull</div> <bR> <div> Frank Glass walks up, and wants to know when Charlie will play matador, proposing to bring in the press to witness the event.</div> <bR> <div> He suggests Charlie stage the show on the very afternoon, but  Estaban declares that Charlie isn't ready yet. However, the actor asks him if he will ever be any better in a few days, and Estaban says that he won't, but that Charlie would be more sure in his craft.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="1a4390180.jpg" border=0 width="400" height="280" ALT="arley Granger and Marlyn Mason in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Anna again begs Charlie not to fight the bull</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Charlie tells Estaban to set up the confrontation for later in the day, then turns to Paul and admits that he's “one frightened fellow,” but adds that he likes the feeling. </div> <bR> <div> The press begin to arrive, and Anna says it's like a three-ring circus, and she again begs Charlie not to fight the bull, but he says it's something he must do - even if he were to lose her.</div> <bR> <div> Charlie then expresses the opinion that Paul too would like to take the bull on, but Paul says he doesn't think he has the courage.  </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1a23902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara and Farley Granger in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul considers the prospect living a year in a few seconds</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Charlie asks Estaban if Paul has had enough practice to try it, and the matador replies that Paul might attempt a few wide passes.</div> <bR> <div> Charlie offers Paul to try that with the bull he has bought.  Paul looks like he may be changing his mind.</div> <bR> <div> Then he considers what Estaban said earlier about a man living a year of life every time the bull goes by, and says, “I can't think of a better way to spend the next ten minutes. Estaban hands Paul the red cape, and they stand at the edge of the ring as Tirado fights with the bull.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="ad6902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"> </div> <div> Paul challenges the bull</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul takes his turn in the ring, and throws himself into the act completely, goading the bull and holding him at bay for many a pass, delighting the assembled crowd, but afterwards, Estaban tells him that he worked too close to the bull.</div> <bR> <div> Charlie then enters the ring with exhilaration. Everything about him is dramatic.</div> <bR> <div> But after only a few dramatic passes, he lowers the red cape, stares at the bull intently, and then walks away, handing the cape to Estaban, and telling him that it is his to do with what he wants.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1a2d902c0.jpg" border=0 width="400" height="300" ALT="Francisco Orteca, ,Farley Granger and Jack Krupnick in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Charlie walks away from the press</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The press crowd around Charlie, and ask what happened.  “You saw it. Write it any way you want to,” the actor tells them, and hurries away.</div> <bR> <div> PR man Phil Swahn then addresses the assembled reporters, and asks what man could train for months to conduct one pass of the bull. “And why?” he adds, “to see if it could be done.”</div> <bR> <div> Anna tells Paul bitterly that the three minders will cut Charlie to ribbons so that there is nothing left. “Don't be too sure,” Paul replies.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="1a24902c0.jpg" border=0 width="400" height="300" ALT="Walter Matthews and Gavin McLeod in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Leo and Charlie chastise Charlie</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Frank has already started. “What do you call that?” he shouts at Charlie who responds coolly, “anything you want to.” But Frank goes on viciously and relentlessly, deeply annoyed with the performance Charlie has put on. The actor, however, indicates that Frank would never understand, adding that Paul probably does. Paul encourages him to tell Frank. Charlie takes on the challenge, saying that he stared into the eyes of the poor dumb beast expertly bred and trained not to disappoint when someone called “action,” and what he saw was himself, the only difference being that Frank was killing Charlie in bits, not one giant blow.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="1a2e902c0.jpg" border=0 width="400" height="300" ALT="Walter Matthews, nd Gavin McLeod and Farley Granger in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Charlie says that he's the boss from now on</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Frank says Charlie doesn't know how good he has it, and Charlie replies that what he wanted to kill wasn't the bull but himself. “And you even told me when to go out and do it so that you could have the press there to watch!” Frank and agent Leo disregard his words, and say they'll all go back to the house. “I'm going to Madrid,” Charlie tells them, adding, “I'll send the car back for you.”</div> <bR> <div> “We'll all go,” says Leo, but Charlie says, “wrong. I'm going back. I'm the dog, and you're the tail. I wag you. You don't wag me. No more.” He states his plans, and adds that he likes being an actor, “but not your actor.” </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="1a4490180.jpg" border=0 width="400" height="280" ALT="Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul asks the bull how long he'll live</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><bR> <div> He says if they can live with that, fine. But if they can't …. “no hard feelings.”</div> <bR> <div> He strides away . At Paul's urging, Anna goes to Charlie. But Frank and Leo don't believe the actor, feeling they've known him too long to take Charlie seriously, and go into the shade await the return of his car.</div> <bR> <div> Paul walks back into the ring, and looks the bull in the eye, asking, “what's your guess brave brother? How much time do you have left?” Then he turns, and walks away.</div> </tD> </tR> </TABLE></div> <bR> </NOBR></tD> </tR> </TABLE></div> <div> Notes & Comments: Paul doesn't look too comfortable being the one the girl leaves instead of vice versa.</div> <bR> <div> For once, an interesting episode title is realized when the experiences of both actor Charlie Harrod and Paul are paralleled in associating themselves with the bull, Charlie as a pawn in someone else's game, and Paul wondering whether he or the bull has the most time left to live.</div> <bR> <bR> <bR> <bR> <DIV ALIGN="LEFT"></DIV> <div> <A HREF="http://run4.us/journal/18_22october65.htm" TARGET="_top" TITLE="http://run4.us/journal/18_22october65.ht"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <bR> <div> and watch a video clip from this episode on that page as well as <A HREF="http://www.run4.us/video/farleygranger.htm" TARGET="_top" TITLE="http://www.run4.us/video/farleygranger.h">a second in the video section</A></div> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1053" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 270 ><NOBR><div> <IMG SRC="1a33abdc0.jpg" border=0 width="171" height="220" ALT="Farley Granger in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Farley Granger as</div> <div> Charlie Harrod </div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1a34a8dc0.jpg" border=0 width="168" height="220" ALT="Frank Silvera in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Frank Silvera</div> <div> as Esteban Aguilar</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1a3293dc0.jpg" border=0 width="147" height="220" ALT="Marlyn Mason in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Marlyn Mason</div> <div> as Anna Birrel</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1a35acdc0.jpg" border=0 width="172" height="220" ALT="Gavin McLeod in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Gavin McLeod</div> <div> as Frank Glass</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1a36a0da0.jpg" border=0 width="160" height="218" ALT="Walter Mathews in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Walter Mathews</div> <div> as Leo Taber</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1a37a6dc0.jpg" border=0 width="166" height="220" ALT="Jose Ramon Tirado in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Jose Ramon Tirado</div> <div> as Himself</div> </NOBR></tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="834" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 270 ><NOBR><div> <IMG SRC="1a38aedc0.jpg" border=0 width="174" height="220" ALT="Eric Mason in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Eric Mason as</div> <div> Phil Swahn</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1a399bd90.jpg" border=0 width="155" height="217" ALT="Fernando Roca in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Fernando Roca</div> <div> as the Desk Clerk</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1a3aa5dc0.jpg" border=0 width="165" height="220" ALT="Danny Bravo in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Danny Bravo</div> <div> as Paco</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1a3c98dc0.jpg" border=0 width="152" height="220" ALT="Francisco Orteca in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Jack Krupnick</div> <div> as the 1st Reporter</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1a3b9ddc0.jpg" border=0 width="157" height="220" ALT="Francisco Orteca in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Francisco Orteca</div> <div> as 2nd Reporter</div> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <bR> <bR> <bR> <div> Next Episode:  <A HREF="flightfromtirana.htm" TARGET="_top" TITLE="Flight From Tirana">Flight From Tirana</A> (Part 1 of 2)</div> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <div> <IMG SRC="0dc96450.png" border=0 width="150" height="69" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </td> </tr></table></body>