How to Sell Your Soul for Fun and Profit

<body topmargin=0 leftmargin=0 marginheight=0 marginwidth=0> <table cellpadding=0 cellspacing=0 border=0 height="100%"><tr> <td valign="top" width=1 style="border-right: 1px solid #555555;" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> </td> <td valign="top" width="100%" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1286" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 206 ><NOBR><div> <IMG SRC="17220ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="1ca90ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="172d0ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#330000><NOBR><bR> <div> Run For Your Life</div> <div> Starring Ben Gazzara</div> <div> <A HREF="index.htm" TARGET="_top" TITLE="Ben Gazzara Episode Guide to Run For Yo">Homepage</A></div> <bR> <bR> <div> Episode:</div> <div> How to Sell Your Soul for Fun and Profit</div> </NOBR></tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1285" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP BGCOLOR=#330000 HEIGHT= 56 WIDTH="797"><bR> <div>             <A HREF="videos.htm" TARGET="_top" TITLE="Video List">List of Videos</A>           <A HREF="http://run4.us/journal/" TARGET="_top" TITLE="http://run4.us/journal/"> Paul Bryan's Journal</A> (and Chronology of Events)</div> </tD> <tD VALIGN=TOP WIDTH="477"><bR> <div> To contact us, click Homepage link above</div> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1008" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 219 WIDTH="592"><div> Synopsis:  When Paul makes a satirical toast behind the Iron Curtain, racing-car driver Janos Takacs (Eric Braeden) courteously joins in and finds himself in prison. Paul tries to make up for his frivolous action by freeing him with the help of his sister Marika Takacs (Gia Scala)  and former prisoner Istvan Zabor (Telly Savalas). With Jeremy Slate as Pete Gaffney, David Lewis as the Consul, Paul Bertoya as Miklos Visnyel, Robert K. Cunningham as the Assistant Consul, Alexander De Noszody as the Doctor, George Tatar as the Conductor, Peter Scott as the Policeman, Leslie Tabani as Attendant</div> </tD> <tD VALIGN=TOP WIDTH="405"><div> Episode 5</div> <div> First broadcast on</div> <div> October 18 1965</div> <div> Teleplay by Frank Fenton</div> <div> and John Thomas Davis</div> <div> Story by John Thomas Davis</div> <div> Directed by Steve Previn</div> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <bR> <div> SEE INDIVIDUAL PHOTOS OF ENTIRE CAST AT THE BOTTOM OF THIS PAGE</div> <bR> <bR> <div> <A HREF="http://run4.us/journal/14_21sept65.htm" TARGET="_top" TITLE="http://run4.us/journal/14_21sept65.htm"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <div> and watch a video clip from the episode on the same page!</div> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1179" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 4481 ><NOBR><div> Creative Team</div> <div> Producer</div> <div>      Jo Swerling Jr.</div> <div> Associate Producer</div> <div>      Paul Freeman</div> <div> Music</div> <div>      Pete Rugolo</div> <div> Director of Photography</div> <div>      Lionel Lindon A.S.C.</div> <div> Art Director</div> <div>      Frank Arrrigo</div> <div> Film Editor</div> <div>      Carl Pingitore A.C.E.</div> <div> Unit Manager</div> <div>      Willard Sheldon</div> <div> Assistant Director</div> <div>      Chuck Colean</div> <div> Set Decorators</div> <div>      John McCartey  &</div> <div>      Perry Murdoch</div> <div> Sound</div> <div>      David H. Moriarty</div> <div> Color  Coordinator</div> <div>      Robert Brower</div> <div> Color by Pathe</div> <div> Editorial Dept. Head</div> <div>      David J. O'Connell</div> <div> Musical Supervisor</div> <div>      Stanley Wilson</div> <div> Costumes by Burton Miller</div> <div> Makeup</div> <div>      Bud Westmore</div> <div> Hair Stylist</div> <div>      Larry Germain</div> <bR> <div> Links to Other Episodes</div> <div> <A HREF="raptureat240.htm" TARGET="_top" TITLE="Rapture at Two Forty">Rapture at Two Forty</A></div> <div> <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">The Cold, Cold War </A></div> <div>   <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">of Paul Bryan</A></div> <div> <A HREF="girlnextdooraspy.htm" TARGET="_top" TITLE="The Girl Next Door Is A Spy">The Girl Next Door Is A Spy</A></div> <div> <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Someone Who Makes </A></div> <div>   <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Me Feel 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Exchange</A></div> </NOBR></tD> <tD VALIGN=TOP><NOBR><bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="836" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 668 ><NOBR><div> <IMG SRC="1711902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara, Paul Bertoya and Jeremy Slate in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Miklos keeps taunting the Americans about their country</div> <bR> <div> <IMG SRC="1712902c0.jpg" border=0 width="400" height="300" ALT="Jeremy Slate and Eric Braeden in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Janos politely joins in Paul's toast</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The Plot:</div> <bR> <div> After serving in the role at a motor race on the Mediterranean, Paul's driver friend Mike Gaffney invites him to be his navigator at an event behind the iron curtain.</div> <bR> <div> In the Eastern Europe location, following the trials, he and Paul are joined in a café by fellow drivers Miklos Visnyel. and Janos Takacs along with his sister.</div> <bR> <div> Miklos makes a point of voicing anti-American sentiments, goading Paul, who remarks, “if you stop telling me the official line on my country, I'll stop telling you the truth about it.” In response to Miklos' toast to “workers' democracies everywhere” (to which all politely raise their glasses), Paul proposes one to “free governments everywhere, freely chosen by free people.”</div> <bR> <div> Miklos counters that Paul means capitalist governments, and Janos intervenes, pointing out that Paul raised his glass to Miklos' toast, and they should offer him the same courtesy.  Janos repeats Paul's lines, and Miklos rises and leaves, looking censorious.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 700 ><NOBR><bR> <div> <IMG SRC="1719902c0.jpg" border=0 width="400" height="300" ALT="Peter Scott and Eric Braeden in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Janos is arrested while working on his car</div> <bR> <div> <IMG SRC="171b902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara and David Lewis in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> The consul advises Paul to leave immediately</div> <bR> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The next day, as the men are working on their cars, Janos is arrested. </div> <bR> <div> Feeling responsible, and wanting to help Janos, Paul consults the American consul who says that the driver will be tried for advocating subversive ideas at a public gathering.</div> <bR> <div> The consul suggests that Paul too could be made an example of, and the best thing for him to do is leave the country immediately. </div> <bR> <div> The consul makes a point of having Paul personally escorted  by one of his staff on the train leaving the country. </div> <bR> <div> Though he gets aboard, Paul alights before the border, and returns. He is is drinking with Pete when the consul spots him from a nearby table, and sends his assistant over to tell Paul that if he gets in any trouble, the responsibility is all his own.</div> <bR> <div> It appears that he is being followed, but Paul gives pursuers the slip, and goes to visit Janos' sister.  She confirms that her brother is now in prison with an eight-year sentence.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="171c902c0.jpg" border=0 width="400" height="300" ALT="Gia Scala and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Pauls offers to help Janos escape</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul says he wants to help, that he tried to leave, and tell himself what happened wasn't his responsibility, but he feels that her brother is in prison over Paul's making a game of something that shouldn't have been. She tells him to leave and forget the matter because there is nothing he can do, and Paul says he'll leave when he's at least tried to free Janos.</div> <bR> <div> Marita repeats that it's impossible, but talks about a resistance hero from the war, who was imprisoned in the same place, escaped, was recaptured, and then released.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 1041 ><NOBR><bR> <div> <IMG SRC="171e902c0.jpg" border=0 width="400" height="300" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Zabor is very friendly, but suspicious of Paul</div> <bR> <div> <IMG SRC="1723902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara and Telly Savales in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul shows Zabor a letter to prove he is genuine</div> <bR> <bR> <div> <IMG SRC="1724902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara and Telly Savales in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Zabor regards Paul's story as a secret police trick</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul makes inquiries and finds him.  “You let anybody in?” Paul inquires, surprised, and Istvan Zabor replies, “no man is just anybody.  You're a man knocking on another man's door.”</div> <bR> <div> Zabor offers Paul a drink and is very convivial, but believes him to be a agent for the secret police.</div> <bR> <div> He says he doesn't remember names or faces, and is a harmless old man writing a satirical attack on western culture.</div> <bR> <div> Paul tells him he should publish it in America. “You should call it, `how to sell your soul for fun and profit.”</div> <bR> <div> Paul relates the incident (which has been reported in the papers), and says that he wants Zabor to help him free Janos from prison.</div> <bR> <div> Zabor laughs, and says, he thought the secret police had forgotten him.</div> <bR> <div> Paul is incredulous that Zabor would think him to be one of them, and so shows him a letter about his terminal illness.</div> <bR> <div> Zabor had said that Paul's conscience would be troubled no more than six months, but that could be half of his remaining life, Paul tells him. </div> <bR> <div> But Zabor just compliments the intricate plot to draw him out, and indicates that Paul should report back that he is still writing the right book. But as a prize for Paul's performance, he offers him a ticket to a soccer game.</div> <bR> <div> Believing that the secret police are watching him, Paul asks Pete Gaffney to watch his room, saying he'll stay up all night reading the local hotel room Bible, Das Kapital, but Paul says he wants Pete to stay awake.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1726902c0.jpg" border=0 width="400" height="300" ALT="Gia Scala and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul says that he has to have hope despite the odds</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul spends the night at Marika's apartment, and she asks what happened with Zabor, and shows her the soccer ticket. He asks her about logistics of visiting her brother in prison.</div> <bR> <div> She repeats that the situation is hopeless - one chance in a thousand that her brother could get out. But Paul, thinking of the odds for a cure to his disease, says, “one chance in a thousand is hope.</div> <bR> <div> One chance in a thousand has often been enough.”</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 1347 ><NOBR><div> <IMG SRC="1727902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara and Telly Savales in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Zabor gives Paul a message at the game</div> <bR> <div> <IMG SRC="1728902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara and Telly Savales in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Zabor and Paul drink to life and success of their plan</div> <bR> <div> <IMG SRC="1729902c0.jpg" border=0 width="400" height="300" ALT="Gia Scala and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Marika and Paul have an emotional parting</div> <bR> <div> <IMG SRC="172a902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara and Telly Savales in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Zabor and Paul say goodbye</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> At the soccer game Zabor sits down beside Paul, and leaves a message to meet him in the matches he borrows from Paul to light a cigarette.</div> <bR> <div> Paul is followed to the rendezvous, but thwarts the man. Zabor continues to challenge Paul, saying, “you're being followed by the police, an innocent fool is in prison because of you, and I could be killed for just talking to you.”</div> <bR> <div> He then admits that he is writing a book, not the one which is merely a deception, but one which will take the society, and tear it apart. </div> <bR> <div> But being a man of deeds, not words, he has come up with a plan to spring Janos, and declares that one way or another, he will be free tomorrow - out of prison or dead.</div> <bR> <div> It sounds like Zabor too is dying, and he quotes the line, “he has the most time who has none to lose.”</div> <bR> <div> The plan goes into action, and Marika learns her part which involves getting some pills to her brother on a visit.</div> <bR> <div> These make him ill, and doctors send him for hospitalization - in the community hospital. </div> <bR> <div> When he stops, the ambulance driver is knocked out, and Paul and Zabor (dressed as a medical attendant) hijack it, and drive the vehicle away. Paul gives Janos an antidote to the pills which made him feverish. After dumping the ambulance, they hide out beside a road, where race drivers are testing their cars.</div> <bR> <div> They put an obstacle in the road to make one stop. .Paul and Zabor overcome them and take their overalls and helmets, and Janos and Paul quickly put them on.  When the last car has passed, Zabor and Paul bid farewell.</div> <bR> <div> “I won't be seeing you again. It's not an easy thing to say,” he tells Zabor who replies, “you have given me a rare thing, Paul. A renewal of faith. It is like oxygen to a man smothering,” and he promises that Paul will live to read his book.</div> <bR> <div> Janos and Paul drive away in the racing car, and then divert to the border where they make it through the barrier at high speed, defying the gunshots of the guards, onto the road to freedom</div> </tD> </tR> </TABLE></div> <bR> </NOBR></tD> </tR> </TABLE></div> <div> <IMG SRC="287281e0.gif" border=0 width="40" height="30" ALIGN="BOTTOM" HSPACE="0" VSPACE="0">Notes & Comments: A typically journeyman episode of Run For Your Life, How to Sell Your Soul for Fun and Profit again places Paul as a catalyst for the plot but leaves him as basically a mannequin to be decorated by the acting and actions of others, mostly walking through the scenes.</div> <bR> <div> To it's credit, the story moves quickly, and seldom loses the viewer's attention. Even though the scenes with the dissident hero go on a bit, they are peppered with interesting dialogue.</div> <bR> <div> The farewell scene with the sister seems gratuitously passionate, and one would have wanted some basis for it to have it make any sense.</div> <bR> <bR> <bR> <DIV ALIGN="LEFT"></DIV> <div> <A HREF="http://run4.us/journal/14_21sept65.htm" TARGET="_top" TITLE="http://run4.us/journal/14_21sept65.htm"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <div> and watch a video clip from the episode on the same page!</div> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1017" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 270 ><NOBR><div> <IMG SRC="172ba1dc0.jpg" border=0 width="161" height="220" ALT="Telly Savales in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Telly Savalas as</div> <div> Istvan Zabor</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1725abdc0.jpg" border=0 width="171" height="220" ALT="Gia Scala in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Gia Scala as</div> <div> Marika Takacs</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1714b0dc0.jpg" border=0 width="176" height="220" ALT="Eric Braeden in Run For Your Life " ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Eric Braeden</div> <div> as Janos Takacs</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1715a4dc0.jpg" border=0 width="164" height="220" ALT="Jeremy Slate in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Jeremy Slate</div> <div> as Pete Gaffney</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="171fa1dc0.jpg" border=0 width="161" height="220" ALT="David Lewis in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> David Lewis</div> <div> as the Consul</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="17139bdc0.jpg" border=0 width="155" height="220" ALT="Paul Bertoya in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul Bertoya as</div> <div> Miklos Visnyel</div> </NOBR></tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="872" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 270 ><NOBR><div> <IMG SRC="1720a7dc0.jpg" border=0 width="167" height="220" ALT="Robert K. Cunningham in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Robert K. Cunningham</div> <div> as the Assistant Consul</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1731aedc0.jpg" border=0 width="174" height="220" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Alexander De Noszody</div> <div> as the Doctor</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="171d9bdc0.jpg" border=0 width="155" height="220" ALT="George Tatar in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> George Tatar as</div> <div> the Conductor</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="17308edc0.jpg" border=0 width="142" height="220" ALT="Peter Scott in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Peter Scott as</div> <div> the Policeman</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="172f9cdc0.jpg" border=0 width="156" height="220" ALT="Leslie Tabani in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Leslie Tabani as</div> <div> the Attendant</div> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> Next Episode:  <A HREF="ourmaninlimbo.htm" TARGET="_top" TITLE="Our Man in Limbo">Our Man in Limbo</A></div> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <div> <IMG SRC="0dc96450.png" border=0 width="150" height="69" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </td> </tr></table></body>