The Sadness of a Happy Time

<body topmargin=0 leftmargin=0 marginheight=0 marginwidth=0> <table cellpadding=0 cellspacing=0 border=0 height="100%"><tr> <td valign="top" width=1 style="border-right: 1px solid #555555;" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> </td> <td valign="top" width="100%" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1293" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 206 ><NOBR><div> <IMG SRC="efc0ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="edd0ac80.png" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="efd0ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#330000 WIDTH="477"><bR> <div> Run For Your Life</div> <div> Starring Ben Gazzara</div> <div> <A HREF="index.htm" TARGET="_top" TITLE="Ben Gazzara Episode Guide to Run For Yo">Homepage</A></div> <bR> <bR> <div> Episode:</div> <div> The Sadness of a Happy Time</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1285" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP BGCOLOR=#330000 HEIGHT= 56 WIDTH="797"><bR> <div>            <A HREF="videos.htm" TARGET="_top" TITLE="Video List">List of Videos</A>           <A HREF="http://run4.us/journal/" TARGET="_top" TITLE="http://run4.us/journal/"> Paul Bryan's Journal</A> (and Chronology of Events)</div> </tD> <tD VALIGN=TOP WIDTH="477"><bR> <div> To contact us, click Homepage link above</div> </tD> </tR> </TABLE></div> <bR> <bR> <div>  </div> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="910" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 197 WIDTH="494"><div> Synopsis: When Paul falls hopelessly in love with novelist Nicole Longet (Claudine Longet), he flees, but she interprets his action to mean that he is a spy colleague of Mike Allen (Stephen McNally) until the agent reveals Paul's secret. With Lili Valenty as Señora Breda, Michael Stanwood as Henry Kalb, Don Diamond as Esteban,  Victor Fiore as the Farmer, Eumenio Blanco as the Bakery Vendor</div> <bR> </tD> <tD VALIGN=TOP><NOBR><div> Episode 30</div> <div> First broadcast on</div> <div> May 16, 1966</div> <div> Teleplay by John W. Bloch</div> <div> Based on a story by Patrick Kennedy</div> <div> Directed by Alf Kjelin</div> <bR> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <div> SEE INDIVIDUAL PHOTOS OF ENTIRE CAST AT THE BOTTOM OF THIS PAGE</div> <bR> <bR> <div> <A HREF="http://run4.us/journal/22sept_5oct65.htm" TARGET="_top" TITLE="http://run4.us/journal/22sept_5oct65.htm"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <div> This page also includes Claudine Longet's original performance of Jobim's "Meditation"</div> <bR> <div> and for part 2</div> <bR> <div> <A HREF="http://run4.us/journal/5_19october65.htm" TARGET="_top" TITLE="http://run4.us/journal/5_19october65.htm"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <div> and watch a video clip from the episode on the same page!</div> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1179" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 5310 ><NOBR><div> Creative Team</div> <bR> <div> Producer</div> <div>      Jo Swerling Jr.</div> <div> Associate Producer</div> <div>      Paul Freeman</div> <div> Music</div> <div>      Pete Rugolo</div> <div> Director of Photography</div> <div>     William Margulies A.S.C.</div> <div> Art Director</div> <div>      Howard E. Johnson</div> <div> Film Editor</div> <div>      Robert Watts  A.C.E.</div> <div> Unit Manager</div> <div>      Willard Sheldon</div> <div> Assistant Director</div> <div>      Edward K. Dodds</div> <div> Set Decorators</div> <div>      John McCartey  &</div> <div>     James M. Walters</div> <div> Sound</div> <div>      Clarence E. Self</div> <div> Color  Coordinator</div> <div>      Robert Brower</div> <div> Color by Technicolor</div> <div> Editorial Dept. Head</div> <div>      David J. O'Connell</div> <div> Musical Supervisor</div> <div>      Stanley Wilson</div> <div> Costumes by Burton Miller</div> <div> Makeup</div> <div>      Bud Westmore</div> <div> Hair Stylist</div> <div>      Larry Germain</div> <bR> <div> Links to Other Episodes</div> <div> <A HREF="raptureat240.htm" TARGET="_top" TITLE="Rapture at Two Forty">Rapture at Two Forty</A></div> <div> <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">The Cold, Cold War </A></div> <div>   <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">of Paul Bryan</A></div> <div> <A HREF="girlnextdooraspy.htm" TARGET="_top" TITLE="The Girl Next Door Is A Spy">The Girl Next Door Is A Spy</A></div> <div> <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Someone Who Makes </A></div> <div>   <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Me Feel Beautiful</A></div> <div> <A HREF="neverpickupstranger.htm" TARGET="_top" TITLE="Never Pick Up a Stranger">Never Pick Up a Stranger</A></div> <div> <A HREF="sellsoulfunprofit.htm" TARGET="_top" TITLE="How to Sell Your Soul for Fun and Profit">How to Sell Your Soul </A></div> <div>   <A HREF="sellsoulfunprofit.htm" TARGET="_top" TITLE="How to Sell Your Soul for Fun and Profit">for Fun and Profit</A></div> <div> <A HREF="ourmaninlimbo.htm" TARGET="_top" TITLE="Our Man in Limbo">Our Man in Limbo</A></div> <div> <A HREF="wheremysterybegins.htm" TARGET="_top" TITLE="Where Mystery Begins">Where Mystery Begins</A></div> <div> <A HREF="savageseason.htm" TARGET="_top" TITLE="The Savage Season">The Savage Season</A></div> <div> <A HREF="thistownforsale.htm" TARGET="_top" TITLE="This Town for Sale">This Town for Sale</A></div> <div> <A HREF="girlnamedsorrow.htm" TARGET="_top" TITLE="A Girl Named Sorrow">A Girl Named Sorrow</A></div> <div> <A HREF="voiceginamilan.htm" TARGET="_top" TITLE="The Voice of Gina Milan">The Voice of Gina Milan</A></div> <div> <A HREF="timesharks.htm" TARGET="_top" TITLE="The Time of the Sharks">The Time of the Sharks</A></div> <div> <A HREF="makeangelsweep.htm" TARGET="_top" TITLE="Make the Angels Weep">Make the Angels Weep</A></div> <div> <A HREF="journeyintoyesterday.htm" TARGET="_top" TITLE="Journey into Yesterday">Journey into Yesterday</A></div> <div> <A HREF="strangersatdoor.htm" TARGET="_top" TITLE="Strangers at the Door">Strangers at the Door</A></div> <div> <A HREF="carnivalendsatmidnight.htm" TARGET="_top" TITLE="The Carnival Ends at Midnight">Carnival Ends at Midnight</A></div> <div> <A HREF="rediscoverycharlottehyde.htm" TARGET="_top" TITLE="The Rediscovery of Charlotte Hyde">The Rediscovery </A></div> <div>   <A HREF="rediscoverycharlottehyde.htm" TARGET="_top" TITLE="The Rediscovery of Charlotte Hyde">of Charlotte Hyde</A></div> <div> <A HREF="nightofterror.htm" TARGET="_top" TITLE="The Night of the Terror">The Night of the Terror</A></div> <div> <A HREF="keepmyshareofworld.htm" TARGET="_top" TITLE="Keep My Share of the World">Keep My Share</A> <A HREF="keepmyshareofworld.htm" TARGET="_top" TITLE="Keep My Share of the World">of the World</A></div> <div> <A HREF="insearchofapril.htm" TARGET="_top" TITLE="In Search of April">In Search of April</A></div> <div> <A HREF="hoodlumsonwheels.htm" TARGET="_top" TITLE="Hoodlums on Wheels">Hoodlums on Wheels</A></div> <div> <A HREF="whoswatchingfleshpot.htm" TARGET="_top" TITLE="Whos Watching the Fleshpot">Who's Watching </A></div> <div>   <A HREF="whoswatchingfleshpot.htm" TARGET="_top" TITLE="Whos Watching the Fleshpot">the Fleshpot?</A></div> <div> <A HREF="sequestro1.htm" TARGET="_top" TITLE="Sequestro Part 1">Sequestro (Part 1)</A></div> <div> <A HREF="sequestro2.htm" TARGET="_top" TITLE="Sequestro Part 2">Sequestro (Part 2)</A></div> <div> <A HREF="dontcountontomorrow.htm" TARGET="_top" TITLE="Dont Count on Tomorrow">Don't Count on Tomorrow</A></div> <div> <A HREF="cruelfountain.htm" TARGET="_top" TITLE="The Cruel Fountain">The Cruel Fountain</A></div> <div> <A HREF="nighttrainfromchicago.htm" TARGET="_top" TITLE="Night Train from Chicago">Night Train from Chicago</A></div> <div> <A HREF="lastsafari.htm" TARGET="_top" TITLE="The Last Safari">The Last Safari</A></div> <div> <A HREF="savagemachines.htm" TARGET="_top" TITLE="The Savage Machines">The Savage Machines</A></div> <div> <A HREF="sadnessofahappytime.htm" TARGET="_top" TITLE="The Sadness of a Happy Time">The Sadness of </A></div> <div>   <A HREF="sadnessofahappytime.htm" TARGET="_top" TITLE="The Sadness of a Happy Time">a Happy Time</A></div> <div> <A HREF="daytimestopped.htm" TARGET="_top" TITLE="The Day Time Stopped">The Day Time Stopped</A></div> <div> <A HREF="imlatedianahays.htm" TARGET="_top" TITLE="I Am the Late Diana Hays">I Am the Late Diana Hays</A></div> <div> <A HREF="bordersofbarbarism.htm" TARGET="_top" TITLE="The Borders of Barbarism">The Borders of Barbarism</A></div> <div> <A HREF="committeefor25th.htm" TARGET="_top" TITLE="The Committee for the 25th">The Committee for the 25th</A></div> <div> <A HREF="darkbeyondthedoor.htm" TARGET="_top" TITLE="The Dark Beyond the Door">The Dark Beyond the Door</A></div> <div> <A HREF="sexobject.htm" TARGET="_top" TITLE="The Sex Object">The Sex Object</A></div> <div> <A HREF="edgeofthevolcano.htm" TARGET="_top" TITLE="The Edge of the Volcano">The Edge of the Volcano</A></div> <div> <A HREF="grotenbergmask.htm" TARGET="_top" TITLE="The Grotenberg Mask">The Grotenberg Mask</A></div> <div> <A HREF="treasureseekers.htm" TARGET="_top" TITLE="The Treasure Seekers">The Treasure Seekers</A></div> <div> <A HREF="manwhohadnoenemies.htm" TARGET="_top" TITLE="The Man Who Had No Enemies">The Man Who Had </A></div> <div>   <A HREF="manwhohadnoenemies.htm" TARGET="_top" TITLE="The Man Who Had No Enemies">No Enemies</A></div> <div> <A HREF="gameofviolence.htm" TARGET="_top" TITLE="A Game of Violence">A Game of Violence</A></div> <div> <A HREF="hangdownyourheadlaugh.htm" TARGET="_top" TITLE="Hang Down Your Head And Laugh">Hang Down Your Head </A></div> <div>   <A HREF="hangdownyourheadlaugh.htm" TARGET="_top" TITLE="Hang Down Your Head And Laugh">And Laugh</A></div> <div> <A HREF="tearsfromglasseye.htm" TARGET="_top" TITLE="Tears from a Glass Eye">Tears from a Glass Eye</A></div> <div> <A HREF="timeandhalfxmaseve.htm" TARGET="_top" TITLE="Time and a Half on Christmas Eve">Time and a Half on </A></div> <div>   <A HREF="timeandhalfxmaseve.htm" TARGET="_top" TITLE="Time and a Half on Christmas Eve">Christmas Eve</A></div> <div> <A HREF="shockofrecognition.htm" TARGET="_top" TITLE="The Shock of Recognition">The Shock of Recognition</A></div> <div> <A HREF="flightfromtirana.htm" TARGET="_top" TITLE="Flight From Tirana">Flight From Tirana</A></div> <div> <A HREF="rageforjustice.htm" TARGET="_top" TITLE="A Rage For Justice">A Rage For Justice</A></div> <div> <A HREF="listofalicemckenna.htm" TARGET="_top" TITLE="The List of Alice McKenna">The List of Alice McKenna</A></div> <div> <A HREF="faceofantagonist.htm" TARGET="_top" TITLE="The Face of the Antagonist">The Face of the Antagonist</A></div> <div> <A HREF="babytheworldsonfire.htm" TARGET="_top" TITLE="Baby, the Worlds on Fire">Baby, the World's on Fire</A></div> <div> <A HREF="rendezvousintokyo.htm" TARGET="_top" TITLE="Rendezvous in Tokyo">Rendezvous in Tokyo</A></div> <div> <A HREF="calculusofchaos.htm" TARGET="_top" TITLE="The Calculus of Chaos">The Calculus of Chaos</A></div> <div> <A HREF="assassin.htm" TARGET="_top" TITLE="The Assassin">The Assassin</A></div> <div> <A HREF="carpellacollection.htm" TARGET="_top" TITLE="The Carpella Collection">The Carpella Collection</A></div> <div> <A HREF="verysmallinjustice.htm" TARGET="_top" TITLE="A Very Small Injustice">A Very Small Injustice</A></div> <div> <A HREF="eastoftheequator.htm" TARGET="_top" TITLE="East of the Equator">East of the Equator</A></div> <div> <A HREF="choiceofevils.htm" TARGET="_top" TITLE="A Choice of Evils">A Choice of Evils</A></div> <div> <A HREF="tellittothedead.htm" TARGET="_top" TITLE="Tell It to the Dead">Tell It to the Dead</A></div> <div> <A HREF="betterworldnexttime.htm" TARGET="_top" TITLE="Better World Next Time">Better World Next Time</A></div> <div> <A HREF="wordwouldbegoodbye.htm" TARGET="_top" TITLE="The Word Would Be Goodbye">The Word Would </A></div> <div>   <A HREF="wordwouldbegoodbye.htm" TARGET="_top" TITLE="The Word Would Be Goodbye">Be Goodbye</A></div> <div> <A HREF="whoscheguevara.htm" TARGET="_top" TITLE="Whos Che Guevara?">Who's Che Guevara?</A></div> <div> <A HREF="inhumanpredicament.htm" TARGET="_top" TITLE="The Inhuman Predicament">The Inhuman Predicament</A></div> <div> <A HREF="3passengersforlusitania.htm" TARGET="_top" TITLE="Three Passengers for the Lusitania">Three Passengers </A></div> <div> <A HREF="3passengersforlusitania.htm" TARGET="_top" TITLE="Three Passengers for the Lusitania">  for the Lusitania</A></div> <div> <A HREF="frozenimage.htm" TARGET="_top" TITLE="The Frozen Image">The Frozen Image</A></div> <div> <A HREF="triptofarside.htm" TARGET="_top" TITLE="Trip to the Far Side">Trip to the Far Side</A></div> <div> <A HREF="companyofscoundrels.htm" TARGET="_top" TITLE="The Company of Scoundrels">The Company of </A></div> <div> <A HREF="companyofscoundrels.htm" TARGET="_top" TITLE="The Company of Scoundrels">  Scoundrels</A></div> <div> <A HREF="atendofrainbowanotherrainbow.htm" TARGET="_top" TITLE="At the End of the Rainbow, Theres Anothe">At the End of the Rainbow </A></div> <div> <A HREF="atendofrainbowanotherrainbow.htm" TARGET="_top" TITLE="At the End of the Rainbow, Theres Anothe">  There's Another Rainbow</A></div> <div> <A HREF="downwithwillyhatch.htm" TARGET="_top" TITLE="Down With Willy Hatch">Down with Willy Hatch</A></div> <div> <A HREF="nakedhalftruth.htm" TARGET="_top" TITLE="The Naked Half Truth">The Naked Half Truth</A></div> <div> <A HREF="tellitlikeitis.htm" TARGET="_top" TITLE="Tell It Like It Is">Tell It Like It Is</A></div> <div> <A HREF="cryhardcryfast1.htm" TARGET="_top" TITLE="Cry Hard, Cry Fast Part 1">Cry Hard, Cry Fast 1</A></div> <div> <A HREF="cryhardcryfast2.htm" TARGET="_top" TITLE="Cry Hard, Cry Fast Part 2">Cry Hard, Cry Fast 2</A></div> <div> <A HREF="mustafaembrace.htm" TARGET="_top" TITLE="The Mustafa Embrace">The Mustafa Embrace</A></div> <div> <A HREF="itcouldonly_happeninrome.htm" TARGET="_top" TITLE="It Could Only Happen in Rome">It Could Only Happen </A></div> <div> <A HREF="itcouldonly_happeninrome.htm" TARGET="_top" TITLE="It Could Only Happen in Rome">  in Rome</A></div> <div> <A HREF="flybynight.htm" TARGET="_top" TITLE="Fly By Night">Fly by Night</A></div> <div> <A HREF="dangerousproposal.htm" TARGET="_top" TITLE="A Dangerous Proposal">A Dangerous Proposal</A></div> <div> <A HREF="1badturn.htm" TARGET="_top" TITLE="One Bad Turn">One Bad Turn</A></div> <div> <A HREF="rapeoflucrece.htm" TARGET="_top" TITLE="The Rape of Lucrece">The Rape of Lucrece</A></div> <div> <A HREF="killingscene.htm" TARGET="_top" TITLE="The Killing Scene">The Killing Scene</A></div> <div> <A HREF="sarojaneyou_neverwhispered.htm" TARGET="_top" TITLE="SaroJane, You Never Whispered Again">Sara-Jane, You Never </A></div> <div> <A HREF="sarojaneyou_neverwhispered.htm" TARGET="_top" TITLE="SaroJane, You Never Whispered Again">  Whispered Again</A></div> <div> <A HREF="strategy_of_terror.htm" TARGET="_top" TITLE="Strategy of Terror">Strategy of Terror</A></div> <div> <A HREF="deadonfurlough.htm" TARGET="_top" TITLE="The Dead On Furlough">The Dead on Furlough</A></div> <div> <A HREF="bewaremylove.htm" TARGET="_top" TITLE="Beware My Love">Beware My Love</A></div> <div> <A HREF="carol.htm" TARGET="_top" TITLE="Carol">Carol</A></div> <div> <A HREF="lifeamongmeateaters.htm" TARGET="_top" TITLE="Life Among the Meat Eaters">Life Among the Meat Eaters</A></div> <div> <A HREF="exchange.htm" TARGET="_top" TITLE="The Exchange">The Exchange</A></div> </NOBR></tD> <tD VALIGN=TOP><NOBR><bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="edb902c0.png" border=0 width="400" height="300" ALT="Claudine Longet and Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Nicole sings a Jobim song in French</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The Plot:</div> <bR> <div> Paul is in Spain, enjoying a romance with French novelist Nicole Longet. Though she knows nothing behind his nomad lifestyle, they spend pleasant days together until an incident one night when American agent Mike Allen appears on the scene. Though Paul greets him, Mike passes without speaking. Later the American agent is involved in a shooting incident and wounded.  When Mike tells Paul to call Bailey at the American consulate as he lies on the ground, Nicole decides that both men are US spies.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="ede902c0.png" border=0 width="400" height="300" ALT="Claudine Longet and Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Nicole asks Paul if he is a spy</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The next day on the beach, though Paul now denies knowing Mike Allen, Nicole says she knows that Paul has secretly gone to see him in the hospital. Paul makes light of this, but she replies, “even here it comes, that cold, quiet war, a war without armies, only soldiers like Mr. Bailey.” She says that Paul shouldn't deny that Mike Allen is his friend, one of the gray men who fight the silent war.  Then she asks Paul if he too is one of these gray men, “one of the invisible army.” He says no, but Nicole responds that she was foolish to believe that they could remain totally alone and lost from the world, </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="ee0902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara and Stephen McNally In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Mike tells Paul about a remote island</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Nicole adds that she knows that he must go see Mike  Paul visits Mike in the hospital where he is recovering well from the gun shot, and planning to go to a primitive Spanish island to recuperate.  Paul indicates an interest in the remote place, and Mike says they can meet in Barcelona that night to travel there together, if Paul wants to leave as quickly as that, and Paul grabs at the chance, saying that he's done something he can't afford to - fallen in love. When Nicole returns to the hotel she finds Paul's luggage packed, and asks if he would have left without saying goodbye if she hadn't come in just then.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="ef9902c0.jpg" border=0 width="400" height="300" ALT="Claudine Longet and Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul promises to find Nicole again, if he can</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> She assumes that Mike Allen is the cause of the departure, but Paul denies this, and says that he can't tell her the reason. But she is sure that she knows why his life is not his own. “When I can …. If I can …. I'll find you again,” Paul responds, and asks if she'll be going back to Paris.  She says that she might come back to this place to write her next book, adding that they bought many tomorrows from the land lady when they paid for another week's stay the day before. Referring a possible next novel, Nicole says she's just learned  that, if it were possible to put into one word, what life is all about, the word would be goodbye.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 325 ><NOBR><div> <IMG SRC="ef8902c0.jpg" border=0 width="400" height="300" ALT="Claudine Longet and Stephen McNally In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Mike says that Paul is not an agent</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Nicole flies to Berlin in search of Mike Allen, and finds him through the US consulate, asking him whether she'd see Paul again, and he rightly says that he has no idea.  Nicole tells him that before she met Paul, she believed that individuals were all isolated from one another, but that she was wrong, and feels bound to him.</div> <bR> <div> She says that she has no life without Paul, and needs to know if he left her because his work compelled him. Mike says that he can't help her, and Nicole leaves his office, saying that she is determined to find Paul.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="ee2902c0.jpg" border=0 width="400" height="300" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Nicole learns Paul's secret</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Later, Mike goes to where Nicole is staying, and says that he can tell her where Paul is.  When Mike explains that Paul is not a spy, Nicole faces the fact that he left only because of her, and says she needs to know the reason for his disappearance because she loves him. Mike confirms that Paul feels the same, and that is why he went away, so that he would remain a stranger among strangers. Mike goes on to say that Paul stayed with him at the remote Spanish island for only a half day, being unable to tolerate the presence of someone who cares about him, and knows about his secret.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="ee4902c0.jpg" border=0 width="400" height="300" ALT="Lili Valenty and Claudine Longet In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Nicole returns to wait for Paul</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Then Mike tells Nicole that Paul has only a year or so to live.</div> <bR> <div> As she told Paul she would, Nicole returns to the pension in Spain where they were together.  The land lady is overjoyed to see her, and says that Nicole will bring her good luck again. Entering the room where they stayed, she is haunted by the memory of Paul, but he, unable to stay away, is also making his way back to the same place. She busies herself with writing her new book, but is again striking out sentences when she hears the door opening. races to it, and falls into Paul's arms.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="ee5902c0.jpg" border=0 width="400" height="300" ALT="Claudine Longet and Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul asks Nicole to marry him</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul tells Nicole that all the rules, and everything he had built his life on fell apart when he left her. She apologizes for her behavior when he left, and says it will never happen again, telling him that being there together is all that matters. He responds that there is something that must be said, even if it meant that they would never be the same again.</div> <bR> <div> She is clearly fearing a declaration about his illness, but instead, Pauldeclares that he ran because he loves her, then says with great gravity, "I want to marry you, Nicole." She accepts joyously.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="ee6902c0.jpg" border=0 width="400" height="300" ALT="Lili Valenty, Claudine Longet and Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> The landlady promises a fiesta in celebration</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> But that night, Paul is clearly tormented, as he tries to write a letter to her, again and again tearing the notepaper up, unable to put down the words he feels he needs to say to her before becoming his wife, the truth about his impending death.</div> <bR> <div> The lines still unwritten or unsaid, the next morning Paul and Nicole visit the church to ask the priest to marry them the following day, and then bring delight to the landlady's heart when they tell her the news. She promises them a wedding banquet, a fiesta that night to celebrate their short engagement.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="ef0900e0.jpg" border=0 width="400" height="270" ALT="Claudine Longet and Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> They talk about their wedding</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Nicole tells Paul that they don't have to marry in church, but he responds that exchanging vows before a priest seems more permanent than signing your name at the Mayor's office.</div> <bR> <div> He asks her if she'd like to have any of her friends from Paris at the ceremony, but she replies that they'd say that she betrayed them.Paul tells her that the next time she sees them, she can tell them she can show them a sequel to her novel “The Sadness of a Happy Time,” to be called “Say Goodbye to Sorrow.”</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="eef90170.jpg" border=0 width="400" height="279" ALT="Claudine Longet and Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> The happy couple stand on a table</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Nicole says that she still believes in what she wrote, to live truly is to accept that there is always sadness, but that she was wrong in believing that she could live alone.</div> <bR> <div> That evening there is a grand fiesta in the taverna, with much dancing and celebration of the happy couple. Paul and Nicole stand on a table, and are toasted by all.  Paul tells the land lady that she has promised to dance for them, and she offers a toast of her own to “the morning of their lives” before all begin to dance again.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="eeb902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul struggles to tell Nicole about his future</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> After Nicole has gone to bed, Paul again tries to write and tell her the truth he believes she must know before becoming his wife.  Agonizing over false starts, he finally settles on a text, and takes the note to her room, and places it in her hand resting on the pillow beside her.</div> <bR> <div> He goes out the next morning, and when he returns, Paul finds Nicole packing to go away, not for their honeymoon, but to leave him. When he asks her where she's going,  she retorts sadly, “why did you have to tell me?” Then she says definitively, “we can't marry now.” </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="ef2902c0.jpg" border=0 width="400" height="300" ALT="Claudine Longet and Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul leaves his letter in Nicole's hand</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Picking up the letter he wrote, Paul answers hesitantly and with sorrow, “you see, Nicole, I couldn't marry you without ….” Then his mood changes, and crumpling the note, he asks angrily, “does it make that much difference?”</div> <bR> <div> “I already knew,” she replies, and adds that she is aware of the fact that he can't be with someone who knows his secret, and was praying that he wouldn't tell her. She says that she must go for his sake, and that Paul must start living again as he did before. He responds that the old way of living was fine then, but not the only way.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="ef7902c0.jpg" border=0 width="400" height="300" ALT="Claudine Longet and Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Nicole says she could never hide her despair</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> He says there are other approaches to his situation, but Nicole insists, “I cannot do this to you, Paul, and I can't do it to myself.” She says that she would be unable to hide her despair, taking what joy might be found in the time he has left, adding that her presence would be a constant reminder, making it impossible for him to ever forget the awful truth. But she says what Paul did before, he can do again. To reinforce her argument, she points out that Paul only spent a half day with Mike Allen on the isolated island, ever seeing his fate in Mike's eyes. “No one can hide that,” she adds. “I can't.” Then she leaves the room - and his life.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="ef6902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul is deeply affected when Nicole rings</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Devastated, Paul picks up the telephone to make arrangements to leave himself, but when the land lady comes in to say that his bags are ready to be taken to the train, Paul says that he's changed his mind and decided to stay. He orders a bottle of brandy, but doesn't touch it.</div> <bR> <div> Then the phone rings as dusk begins to fall. It is Nicole.  He asks her where she is, hopeful she is returning, but she tells him she is in Madrid.</div> <bR> <div> “I had to call you,” she falters, “to tell you what I couldn't say before I left. I love you.”</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 325 ><NOBR><div> <IMG SRC="ef3902c0.jpg" border=0 width="400" height="300" ALT="Claudine Longet In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Goodbye</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> She repeats the words as he lets the phone slip, holding it to his face.  As tears fall from her eyes, she says goodbye, also letting the receiver slip, her head falling against the phone.</div> <bR> <div> Paul sets down the receiver, then picks it up again, and asks to have his train reservation reinstated</div> <bR> <div> He looks around the room where they spent so many happy hours together, and as the sound of her singing fills his head, he leaves the room empty.</div> </tD> </tR> </TABLE></div> <bR> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> <A HREF="http://run4.us/journal/22sept_5oct65.htm" TARGET="_top" TITLE="http://run4.us/journal/22sept_5oct65.htm"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <div> This page also includes Claudine Longet's original performance of Jobim's "Meditation"</div> <bR> <bR> <div> and for part 2</div> <bR> <div> <A HREF="http://run4.us/journal/5_19october65.htm" TARGET="_top" TITLE="http://run4.us/journal/5_19october65.htm"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <div> and watch a video clip from the episode on the same page!</div> <bR> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1227" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 271 ><NOBR><div> <IMG SRC="efab2dc0.jpg" border=0 width="178" height="220" ALT="Claudine Longet In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Claudine Longet</div> <div> as Nicole  Longet</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="ee399dc0.jpg" border=0 width="153" height="220" ALT="Stephen McNally In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0">    </div> <div> Stephen McNally</div> <div> as Mike Allen</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="edca1dc0.png" border=0 width="161" height="220" ALT="Lili Valenty In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Lili Valenty as</div> <div> Señora Breda</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="ee1a1dc0.jpg" border=0 width="161" height="220" ALT="Michael Stanwood In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Michael Stanwood</div> <div> as Henry Kalb</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="f0298dc0.jpg" border=0 width="152" height="220" ALT="Don Diamond In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Don Diamond</div> <div> as Esteban</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="f01a4dc0.jpg" border=0 width="164" height="220" ALT="Brendan Dillon In Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Victor Fiore</div> <div> as the Farmer</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="176"><div> <IMG SRC="efb97dc0.jpg" border=0 width="151" height="220" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Eumenio Blanco as the Bakery Vendo</div> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> Next Episode:  <A HREF="daytimestopped.htm" TARGET="_top" TITLE="The Day Time Stopped">The Day Time Stopped</A></div> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <div> <IMG SRC="0dc96450.png" border=0 width="150" height="69" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </td> </tr></table></body>