The Night of the Terror

<body topmargin=0 leftmargin=0 marginheight=0 marginwidth=0> <table cellpadding=0 cellspacing=0 border=0 height="100%"><tr> <td valign="top" width=1 style="border-right: 1px solid #555555;" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> </td> <td valign="top" width="100%" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1293" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 206 ><NOBR><div> <IMG SRC="187a0ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="187b0ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="187c0ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#330000 WIDTH="477"><bR> <div> Run For Your Life</div> <div> Starring Ben Gazzara</div> <div> <A HREF="index.htm" TARGET="_top" TITLE="Ben Gazzara Episode Guide to Run For Yo">Homepage</A></div> <bR> <bR> <div> Episode:</div> <div> The Night of the Terror</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1285" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP BGCOLOR=#330000 HEIGHT= 56 WIDTH="797"><bR> <div>   <A HREF="videos.htm" TARGET="_top" TITLE="Video List">List of Videos</A>           <A HREF="http://run4.us/journal/" TARGET="_top" TITLE="http://run4.us/journal/"> Paul Bryan's Journal</A> (and Chronology of Events)</div> </tD> <tD VALIGN=TOP WIDTH="477"><bR> <div> To contact us, click Homepage link above</div> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="971" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 171 WIDTH="463"><div> Synopsis: When Harry Blunt (Donnelly Rhodes) invites  Paul and Jenny (Sharon Farrell) to his house, they find out how seriously disturbed he and his brother Christopher (Charles Aidman) really are. With Maggie Thrett as Brenda, Nancy Marshall as Sue</div> <bR> <bR> </tD> <tD VALIGN=TOP><NOBR><div> Episode 18</div> <div> First broadcast on</div> <div> January 24, 1966</div> <div> Teleplay by John Thomas James (Roy Huggins)</div> <div> Based on a Script by Gerald Vaughn-Hughes</div> <div> Directed by Alexander Singer</div> <bR> </NOBR></tD> </tR> </TABLE></div> <div>  </div> <bR> <div> SEE INDIVIDUAL PHOTOS OF ENTIRE CAST AT THE BOTTOM OF THIS PAGE</div> <bR> <bR> <div> <A HREF="http://run4.us/journal/1_16may66.htm" TARGET="_top" TITLE="http://run4.us/journal/1_16may66.htm"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1179" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 3654 ><NOBR><div> Creative Team</div> <div> Producer</div> <div>      Gordon Hessler</div> <div> Associate Producer</div> <div>      Paul Freeman</div> <div> Music</div> <div>      Pete Rugolo</div> <div> Director of Photography</div> <div>     John L. Russell  A.S.C.</div> <div> Art Director</div> <div>      Howard E. Johnson</div> <div> Film Editor</div> <div>      Carl Pingitore</div> <div> Unit Manager</div> <div>      Willard Sheldon</div> <div> Assistant Director</div> <div>      George Bisk</div> <div> Set Decorators</div> <div>      John McCartey  &</div> <div>      Perry Murdoch</div> <div> Sound</div> <div>      Melvin N. Metcalfe, Sr.</div> <div> Color  Coordinator</div> <div>      Robert Brower</div> <div> Color by Pathe</div> <div> Editorial Dept. Head</div> <div>      David J. O'Connell</div> <div> Musical Supervisor</div> <div>      Stanley Wilson</div> <div> Costumes Supervisor</div> <div>      Vincent Dee</div> <div> Makeup</div> <div>      Bud Westmore</div> <div> Hair Stylist</div> <div>      Larry Germain</div> <bR> <div> Links to Other Episodes</div> <div> <A HREF="raptureat240.htm" TARGET="_top" TITLE="Rapture at Two Forty">Rapture at Two Forty</A></div> <div> <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">The Cold, Cold War </A></div> <div>   <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">of Paul Bryan</A></div> <div> <A HREF="girlnextdooraspy.htm" TARGET="_top" TITLE="The Girl Next Door Is A Spy">The Girl Next Door Is A Spy</A></div> <div> <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Someone Who Makes </A></div> <div>   <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Me 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Exchange</A></div> </NOBR></tD> <tD VALIGN=TOP><NOBR><bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="187d90180.jpg" border=0 width="400" height="280" ALT="Sharon Farrell, Ben Gazzara, Donnelly Rhodes and Maggie Thrett in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Harry proposes a visit to his haunted house</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The Plot:</div> <bR> <div> Paul is at a crowded party, and when kissing Jenny in a corner, is interrupted by Harry Blunt with an overdramatic speech.</div> <bR> <div> By the end of the evening there are only five people left, one being Harry talking about spirits, and  irritating the two girls he's known for some while. Then he starts speaking about a haunted house an hour or so away, as well as the grisly story of the owner who hanged himself after being persecuted by neighbors.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 WIDTH="407"><div> <IMG SRC="186a902c0.jpg" border=0 width="400" height="300" ALT="Ben Gazzara, and Donnelly Rhodes in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0">Harry's scary talk makes Jenny want to leave</div> </tD> <tD VALIGN=TOP WIDTH="401"><div> Only Jenny is interested and she prepares to leave with Harry, but Sue, once involved with Harry, tells Paul to go with them.  Harry welcomes him, saying a man who thinks life is rational might get a shock when he finds it isn't. When they are at the house Harry makes frequent references to his strict and cruel father, and points out the hook from which he hanged himself. He does everything to make things seem spooky, with references of terror to come. Eventually, Jenny becomes frightened, and asks to leave.  Though Paul remains somewhat intrigued, he feels it best to take her home.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="186c902c0.jpg" border=0 width="400" height="300" ALT="Sharon Farrell and Donnelly Rhodes in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Harry upsets Judy with talk of pouncing</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> But Harry says that he hid the key to the car, and it will be almost impossible for them to find their way back to the main road, especially in the dark, heavy rain and lightening. Paul hits Harry in hopes of getting the key, and when Jenny says this has restored her equilibrium,Paul goes out to see if he can hot-wire Harry's car. When they are alone, Harry continues to taunt the somewhat restored Jenny.  But she breaks down again quickly when he talks about pouncing on her, kisses her against her will, and ominously advises that this is nothing compared with what is to come.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="186d902c0.jpg" border=0 width="400" height="300" ALT="Sharon Farrell in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Jenny is pursued by something coming in the window</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Unsuccessful, Paul returns, and after more menacing talk, Harry slips from the room.  When Jenny says Paul isn't worried, Paul replies that he is, but doesn't think Harry is violent.  Then comes the loud sound of drums and maniacal laughter from above that Harry had been speaking of at the party.</div> <bR> <div> When they go upstairs to investigate, they find a teddy bear hanging from a noose on a door. Going in, they find another corridor, and when Paul goes back to track a sound, a headless thing comes running at Jenny from the other direction.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="187e90180.jpg" border=0 width="400" height="280" ALT="Charles Aidman and Donnelly Rhodes in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Harry tells his brother that he must educate him</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul takes the terrified Jenny her back downstairs. When she implies Paul might be enjoying what is going on, he replies that he would be if Harry weren't so obviously mentally sick.Jenny speaks of her bad dreams, and Paul says he wants to find out why Harry is acting as he does, theorizing that Harry is being assisted in the theatre by his brother.</div> <bR> <div> In the attic, Harry is drinking again, and is approached by the sub-serviant and nervous Christopher who says that Harry has not paid him money which is owed.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="186f902c0.jpg" border=0 width="400" height="300" ALT="Charles Aidman and Donnelly Rhodes in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Harry calls his laugh the sound of chaos</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Christopher says that he doesn't have enough to eat properly, and will tell all to the people downstairs if Harry doesn't pay him. His brother adds that Harry may think he's stupid, but he knows Harry will get both of them in trouble with his actions.</div> <bR> <div> Harry replies, “what you learn from atrocities, disasters and meaningless deprivations, you can learn on a modest scale by a well-conducted practical joke.” He then puts on the tape of drums and laughter and breaks out himself in a maniacal laugh, calling it the sound of chaos.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1873902c0.jpg" border=0 width="400" height="300" ALT="Sharon Farrell and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul shouts that they're going to trash Harry's car</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul believes Harry to be in the attic, and he and Jenny go upstairs. Then Paul shouts upwards that he and Jenny are departing in five minutes, and that they're going to leave Harry's car in a complete wreck before they go. </div> <bR> <div> Hearing this above, Harry removes the car key from his shoe, and tells his brother to go down and drive it to a location where it can't be found, and to wait there.</div> <bR> <div> After taking further insults, Christopher proceeds downstairs, only to be grabbed and trapped by Paul</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="1874902c0.jpg" border=0 width="400" height="300" ALT="Charles Aidman and Ben Gazzara, in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Christopher tells Paul about Harry's plans</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul shouts at him angrily. Christopher is submissive and frightened, and says that he wanted to talk to them, and was only going to drive the car away for Harry.  Paul demands and receives the car key.   Christopher then describes his situation - the house empty since his father's death, his living in a nearby cottage, collecting rents for Harry from land tenants, but not getting due pay. He says Harry's intention is to “pounce” them, a term used by their sadistic father when he was out to beat Harry mercilessly with his riding crop. Paul asks if that means to frighten them, but Christopher says it's much more. </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="1875902c0.jpg" border=0 width="400" height="300" ALT="Charles Aidman, Sharon Farrell and Ben Gazzara, in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Christopher tells about the brothers' awful lives</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Christopher confirms that their father hanged himself - just before he would have gone to jail for assault and other charges.  He speaks of the terrible beatings inflicted on Harry, and how his brother would never cry. To Paul's question about whether Harry changed after his father's death, Christopher says it was like two different people, that Harry was seldom home, but nice to him when he was. When Christopher found his father dead, he phoned Harry to come, and thus he too discovered his father hanging when he walked in. “Father finally pounced Harry good,”</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1876902c0.jpg" border=0 width="400" height="300" ALT="Charles Aidman, Sharon Farrell and Ben Gazzara, in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Christopher beats a drum to draw Harry</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Christopher adds, to Jenny's growing horror as she listens, “now Harry likes to pounce people. He's like father now.”</div> <bR> <div> Paul says that he wants to get Harry out of the attic, and asks what Harry might do if he went up there.  Christopher says that's not a good idea, but he has a solution, and brings out a drum which he begins tapping on.  From the attic comes drumming in answer. </div> <bR> <div> Christopher goes into a virtual frenzy, saying that he's pouncing Harry, who will come down quietly, but Jenny is almost hysterical at the sound, so Paul interrupts.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1877902c0.jpg" border=0 width="400" height="300" ALT="Charles Aidman, Sharon Farrell and Ben Gazzara, in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul takes down the hanging figure</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> He goes out in the hall, and shouts at Harry to come down.</div> <bR> <div> They then respond to a shout of horror, and go to investigate. When Jenny sees the scene, she gives a  piercing shriek  as Harry says to a hanging figure that  he'll never turn him into a Christopher, then repeating again and again, “I've got a soul.”</div> <bR> <div> He'd hung up the dummy there to “pounce” on Jenny and Paul, the drumming being the same that Christopher did when he let Harry find his dead father.</div> </tD> </tR> </TABLE></div> <bR> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> <A HREF="http://run4.us/journal/1_16may66.htm" TARGET="_top" TITLE="http://run4.us/journal/1_16may66.htm"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <bR> <div> <IMG SRC="287281e0.gif" border=0 width="40" height="30" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="287281e0.gif" border=0 width="40" height="30" ALIGN="BOTTOM" HSPACE="0" VSPACE="0">Review:  Run For Your Life is now getting into the character-based episodes the series was most noted for.</div> <bR> <div> All that went wrong was the title which left the audience expecting something far more scary and much less intellectual.  A real shame as this gave off false signals for what was really a psychological drama, not the tale of a haunted house.</div> <bR> <div> Fine performances all round, building suspense and thoroughly sympathetic characters made this a solid, if not tasty episode.</div> <bR> <bR> <bR> <DIV ALIGN="LEFT"></DIV> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="815" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 270 ><NOBR><div> <I><IMG SRC="18798fdc0.jpg" border=0 width="143" height="220" ALT="Donnelly Rhodes in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></I></div> <DIV ALIGN="LEFT"></DIV> <div> Donnelly Rhodes</div> <div> as Harry Blunt</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="18789cdc0.jpg" border=0 width="156" height="220" ALT="Charles Aidman in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Charles Aidman</div> <div> as Christopher</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="18709bdc0.jpg" border=0 width="155" height="220" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Sharon Farrell</div> <div> as Jenny</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1871a1dc0.jpg" border=0 width="161" height="220" ALT="Maggie Thrett in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Maggie Thrett</div> <div> as Brenda</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1872a5dc0.jpg" border=0 width="165" height="220" ALT="Nancy Marshall in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Nancy Marshall</div> <div> as Sue</div> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> Next Episode:  <A HREF="keepmyshareofworld.htm" TARGET="_top" TITLE="Keep My Share of the World">Keep My Share</A> <A HREF="keepmyshareofworld.htm" TARGET="_top" TITLE="Keep My Share of the World">of the World</A></div> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <div> <IMG SRC="0dc96450.png" border=0 width="150" height="69" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </td> </tr></table></body>