The Man Who Had No Enemies

<body topmargin=0 leftmargin=0 marginheight=0 marginwidth=0> <table cellpadding=0 cellspacing=0 border=0 height="100%"><tr> <td valign="top" width=1 style="border-right: 1px solid #555555;" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> </td> <td valign="top" width="100%" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1286" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 206 ><NOBR><div> <IMG SRC="198e0ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="198f0ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="19910ac80.jpg" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#330000 WIDTH="477"><bR> <div> Run For Your Life</div> <div> Starring Ben Gazzara</div> <div> <A HREF="index.htm" TARGET="_top" TITLE="Ben Gazzara Episode Guide to Run For Yo">Homepage</A></div> <bR> <bR> <bR> <div> Episode:</div> <div> The Man Who Had No Enemies</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1285" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP BGCOLOR=#330000 HEIGHT= 56 WIDTH="797"><bR> <div>          <A HREF="videos.htm" TARGET="_top" TITLE="Video List">List of Videos</A>           <A HREF="http://run4.us/journal/" TARGET="_top" TITLE="http://run4.us/journal/"> Paul Bryan's Journal</A> (and Chronology of Events)</div> </tD> <tD VALIGN=TOP WIDTH="477"><bR> <div> To contact us, click Homepage link above</div> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1113" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 172 WIDTH="765"><div> Synopsis: As prime suspect in the murder of his sailing companion, Paul is held on the island of Bonaire while the real murderer is exposed by an old friend as three people from the same Arkansas city meet there. With Joanna Moore as Kay Mills, Nancy Malone as Katherine, Kurt Kasznar as Inspector Kronig, Victoria Shaw as Eileen Trotter, John Lodge as Neil Trotter, Jean Durand as Lt. Duvali, Ward Ramsey as the Consul, Jason Wingreen as the Harbormaster, Kai Hernandez as the Maid, Barbara Blake as the Desk Clerk, Violet Rensing as Mrs. Van Gorle</div> </tD> <tD VALIGN=TOP><NOBR><div> Episode 40</div> <div> Season 2 - #10</div> <div> First broadcast on</div> <div> November 21, 1966</div> <div> Written by John W. Bloch</div> <div> Story by John Thomas James</div> <div>  (Roy Huggins)</div> <div> Directed by Michael Ritchie</div> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <bR> <bR> <bR> <div> SEE INDIVIDUAL PHOTOS OF ENTIRE CAST AT THE BOTTOM OF THIS PAGE</div> <bR> <bR> <div> <A HREF="http://www.run4.us/journal/31march_4april66.htm" TARGET="_top" TITLE="http://www.run4.us/journal/31march_4apri"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <bR> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1179" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 7256 ><NOBR><div> Creative Team</div> <bR> <div> Producer</div> <div>      Jo Swerling Jr.</div> <div> Associate Producer</div> <div>      Paul Freeman</div> <div> Music</div> <div>      Pete Rugolo</div> <div> Director of Photography</div> <div>     William Margulies A.S.C.</div> <div> Art Director</div> <div>      Howard E. Johnson</div> <div> Film Editor</div> <div>      Budd Small</div> <div> Unit Manager</div> <div>      Hilton A. Green</div> <div> Assistant Director</div> <div>      Donald Baer</div> <div> Set Decorators</div> <div>      John McCartey  &</div> <div>     Robert C. Bradfield</div> <div> Sound</div> <div>      Frank K. Wilkinson</div> <div> Color  Coordinator</div> <div>      Robert Brower</div> <div> Color by Technicolor</div> <div> Editorial Dept. Head</div> <div>      Richard Belding</div> <div> Musical Supervisor</div> <div>      Stanley Wilson</div> <div> Costumes Supervisor</div> <div>      Vincent Dee</div> <div> Makeup</div> <div>      Bud Westmore</div> <div> Hair Stylist</div> <div>      Larry Germain</div> <div> Assistant to Executive Producer</div> <div>      Robert Foster</div> <bR> <bR> <div> Links to Other Episodes</div> <div> <A HREF="raptureat240.htm" TARGET="_top" TITLE="Rapture at Two Forty">Rapture at Two Forty</A></div> <div> <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">The Cold, Cold War </A></div> <div>   <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">of Paul Bryan</A></div> <div> <A HREF="girlnextdooraspy.htm" TARGET="_top" TITLE="The Girl Next Door Is A Spy">The Girl Next Door Is A Spy</A></div> <div> <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Someone Who Makes </A></div> <div>   <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Me Feel Beautiful</A></div> <div> <A HREF="neverpickupstranger.htm" TARGET="_top" TITLE="Never Pick Up a Stranger">Never Pick Up a Stranger</A></div> <div> <A HREF="sellsoulfunprofit.htm" TARGET="_top" TITLE="How to Sell Your Soul for Fun and Profit">How to Sell Your Soul </A></div> <div>   <A HREF="sellsoulfunprofit.htm" TARGET="_top" TITLE="How to Sell Your Soul for Fun and Profit">for Fun and Profit</A></div> <div> <A HREF="ourmaninlimbo.htm" TARGET="_top" TITLE="Our Man in Limbo">Our Man in Limbo</A></div> <div> <A HREF="wheremysterybegins.htm" TARGET="_top" TITLE="Where Mystery Begins">Where Mystery Begins</A></div> <div> <A HREF="savageseason.htm" TARGET="_top" TITLE="The Savage Season">The Savage Season</A></div> <div> <A HREF="thistownforsale.htm" TARGET="_top" TITLE="This Town for Sale">This Town for Sale</A></div> <div> <A HREF="girlnamedsorrow.htm" TARGET="_top" TITLE="A Girl Named Sorrow">A Girl Named Sorrow</A></div> <div> <A HREF="voiceginamilan.htm" TARGET="_top" TITLE="The Voice of Gina Milan">The Voice of Gina Milan</A></div> <div> <A HREF="timesharks.htm" TARGET="_top" TITLE="The Time of the Sharks">The Time of the Sharks</A></div> <div> <A HREF="makeangelsweep.htm" TARGET="_top" TITLE="Make the Angels Weep">Make the Angels Weep</A></div> <div> <A HREF="journeyintoyesterday.htm" TARGET="_top" TITLE="Journey into Yesterday">Journey into Yesterday</A></div> <div> <A HREF="strangersatdoor.htm" TARGET="_top" TITLE="Strangers at the Door">Strangers at the Door</A></div> <div> <A HREF="carnivalendsatmidnight.htm" TARGET="_top" TITLE="The Carnival Ends at Midnight">Carnival Ends at Midnight</A></div> <div> <A HREF="rediscoverycharlottehyde.htm" TARGET="_top" TITLE="The Rediscovery of Charlotte Hyde">The Rediscovery </A></div> <div>   <A HREF="rediscoverycharlottehyde.htm" TARGET="_top" TITLE="The Rediscovery of Charlotte Hyde">of Charlotte Hyde</A></div> <div> <A HREF="nightofterror.htm" TARGET="_top" TITLE="The Night of the Terror">The Night of the Terror</A></div> <div> <A HREF="keepmyshareofworld.htm" TARGET="_top" TITLE="Keep My Share of the World">Keep My Share</A> <A HREF="keepmyshareofworld.htm" TARGET="_top" TITLE="Keep My Share of the World">of the World</A></div> <div> <A HREF="insearchofapril.htm" TARGET="_top" TITLE="In Search of April">In Search of April</A></div> <div> <A HREF="hoodlumsonwheels.htm" TARGET="_top" TITLE="Hoodlums on Wheels">Hoodlums on Wheels</A></div> <div> <A HREF="whoswatchingfleshpot.htm" TARGET="_top" TITLE="Whos Watching the Fleshpot">Who's Watching </A></div> <div>   <A HREF="whoswatchingfleshpot.htm" TARGET="_top" TITLE="Whos Watching the Fleshpot">the Fleshpot?</A></div> <div> <A HREF="sequestro1.htm" TARGET="_top" TITLE="Sequestro Part 1">Sequestro (Part 1)</A></div> <div> <A HREF="sequestro2.htm" TARGET="_top" TITLE="Sequestro Part 2">Sequestro (Part 2)</A></div> <div> <A HREF="dontcountontomorrow.htm" TARGET="_top" TITLE="Dont Count on Tomorrow">Don't Count on Tomorrow</A></div> <div> <A HREF="cruelfountain.htm" TARGET="_top" TITLE="The Cruel Fountain">The Cruel Fountain</A></div> <div> <A HREF="nighttrainfromchicago.htm" TARGET="_top" TITLE="Night Train from Chicago">Night Train from Chicago</A></div> <div> <A HREF="lastsafari.htm" TARGET="_top" TITLE="The Last Safari">The Last Safari</A></div> <div> <A HREF="savagemachines.htm" TARGET="_top" TITLE="The Savage Machines">The Savage Machines</A></div> <div> <A HREF="sadnessofahappytime.htm" TARGET="_top" TITLE="The Sadness of a Happy Time">The Sadness of </A></div> <div>   <A HREF="sadnessofahappytime.htm" TARGET="_top" TITLE="The Sadness of a Happy Time">a Happy Time</A></div> <div> <A HREF="daytimestopped.htm" TARGET="_top" TITLE="The Day Time Stopped">The Day Time Stopped</A></div> <div> <A HREF="imlatedianahays.htm" TARGET="_top" TITLE="I Am the Late Diana Hays">I Am the Late Diana Hays</A></div> <div> <A HREF="bordersofbarbarism.htm" TARGET="_top" TITLE="The Borders of Barbarism">The Borders of Barbarism</A></div> <div> <A HREF="committeefor25th.htm" TARGET="_top" TITLE="The Committee for the 25th">The Committee for the 25th</A></div> <div> <A HREF="darkbeyondthedoor.htm" TARGET="_top" TITLE="The Dark Beyond the Door">The Dark Beyond the Door</A></div> <div> <A HREF="sexobject.htm" TARGET="_top" TITLE="The Sex Object">The Sex Object</A></div> <div> <A HREF="edgeofthevolcano.htm" TARGET="_top" TITLE="The Edge of the Volcano">The Edge of the Volcano</A></div> <div> <A HREF="grotenbergmask.htm" TARGET="_top" TITLE="The Grotenberg Mask">The Grotenberg Mask</A></div> <div> <A HREF="treasureseekers.htm" TARGET="_top" TITLE="The Treasure Seekers">The Treasure Seekers</A></div> <div> <A HREF="manwhohadnoenemies.htm" TARGET="_top" TITLE="The Man Who Had No Enemies">The Man Who Had </A></div> <div>   <A HREF="manwhohadnoenemies.htm" TARGET="_top" TITLE="The Man Who Had No Enemies">No Enemies</A></div> <div> <A HREF="gameofviolence.htm" TARGET="_top" TITLE="A Game of Violence">A Game of Violence</A></div> <div> <A HREF="hangdownyourheadlaugh.htm" TARGET="_top" TITLE="Hang Down Your Head And Laugh">Hang Down Your Head </A></div> <div>   <A HREF="hangdownyourheadlaugh.htm" TARGET="_top" TITLE="Hang Down Your Head And Laugh">And Laugh</A></div> <div> <A HREF="tearsfromglasseye.htm" TARGET="_top" TITLE="Tears from a Glass Eye">Tears from a Glass Eye</A></div> <div> <A HREF="timeandhalfxmaseve.htm" TARGET="_top" TITLE="Time and a Half on Christmas Eve">Time and a Half on </A></div> <div>   <A HREF="timeandhalfxmaseve.htm" TARGET="_top" TITLE="Time and a Half on Christmas Eve">Christmas Eve</A></div> <div> <A HREF="shockofrecognition.htm" TARGET="_top" TITLE="The Shock of Recognition">The Shock of Recognition</A></div> <div> <A HREF="flightfromtirana.htm" TARGET="_top" TITLE="Flight From Tirana">Flight From Tirana</A></div> <div> <A HREF="rageforjustice.htm" TARGET="_top" TITLE="A Rage For Justice">A Rage For Justice</A></div> <div> <A HREF="listofalicemckenna.htm" TARGET="_top" TITLE="The List of Alice McKenna">The List of Alice McKenna</A></div> <div> <A HREF="faceofantagonist.htm" TARGET="_top" TITLE="The Face of the Antagonist">The Face of the Antagonist</A></div> <div> <A HREF="babytheworldsonfire.htm" TARGET="_top" TITLE="Baby, the Worlds on Fire">Baby, the World's on Fire</A></div> <div> <A HREF="rendezvousintokyo.htm" TARGET="_top" TITLE="Rendezvous in Tokyo">Rendezvous in Tokyo</A></div> <div> <A HREF="calculusofchaos.htm" TARGET="_top" TITLE="The Calculus of Chaos">The Calculus of Chaos</A></div> <div> <A HREF="assassin.htm" TARGET="_top" TITLE="The Assassin">The Assassin</A></div> <div> <A HREF="carpellacollection.htm" TARGET="_top" TITLE="The Carpella Collection">The Carpella Collection</A></div> <div> <A HREF="verysmallinjustice.htm" TARGET="_top" TITLE="A Very Small Injustice">A Very Small Injustice</A></div> <div> <A HREF="eastoftheequator.htm" TARGET="_top" TITLE="East of the Equator">East of the Equator</A></div> <div> <A HREF="choiceofevils.htm" TARGET="_top" TITLE="A Choice of Evils">A Choice of Evils</A></div> <div> <A HREF="tellittothedead.htm" TARGET="_top" TITLE="Tell It to the Dead">Tell It to the Dead</A></div> <div> <A HREF="betterworldnexttime.htm" TARGET="_top" TITLE="Better World Next Time">Better World Next Time</A></div> <div> <A HREF="wordwouldbegoodbye.htm" TARGET="_top" TITLE="The Word Would Be Goodbye">The Word Would </A></div> <div>   <A HREF="wordwouldbegoodbye.htm" TARGET="_top" TITLE="The Word Would Be Goodbye">Be Goodbye</A></div> <div> <A HREF="whoscheguevara.htm" TARGET="_top" TITLE="Whos Che Guevara?">Who's Che Guevara?</A></div> <div> <A HREF="inhumanpredicament.htm" TARGET="_top" TITLE="The Inhuman Predicament">The Inhuman Predicament</A></div> <div> <A HREF="3passengersforlusitania.htm" TARGET="_top" TITLE="Three Passengers for the Lusitania">Three Passengers </A></div> <div> <A HREF="3passengersforlusitania.htm" TARGET="_top" TITLE="Three Passengers for the Lusitania">  for the Lusitania</A></div> <div> <A HREF="frozenimage.htm" TARGET="_top" TITLE="The Frozen Image">The Frozen Image</A></div> <div> <A HREF="triptofarside.htm" TARGET="_top" TITLE="Trip to the Far Side">Trip to the Far Side</A></div> <div> <A HREF="companyofscoundrels.htm" TARGET="_top" TITLE="The Company of Scoundrels">The Company of </A></div> <div> <A HREF="companyofscoundrels.htm" TARGET="_top" TITLE="The Company of Scoundrels">  Scoundrels</A></div> <div> <A HREF="atendofrainbowanotherrainbow.htm" TARGET="_top" TITLE="At the End of the Rainbow, Theres Anothe">At the End of the Rainbow </A></div> <div> <A HREF="atendofrainbowanotherrainbow.htm" TARGET="_top" TITLE="At the End of the Rainbow, Theres Anothe">  There's Another Rainbow</A></div> <div> <A HREF="downwithwillyhatch.htm" TARGET="_top" TITLE="Down With Willy Hatch">Down with Willy Hatch</A></div> <div> <A HREF="nakedhalftruth.htm" TARGET="_top" TITLE="The Naked Half Truth">The Naked Half Truth</A></div> <div> <A HREF="tellitlikeitis.htm" TARGET="_top" TITLE="Tell It Like It Is">Tell It Like It Is</A></div> <div> <A HREF="cryhardcryfast1.htm" TARGET="_top" TITLE="Cry Hard, Cry Fast Part 1">Cry Hard, Cry Fast 1</A></div> <div> <A HREF="cryhardcryfast2.htm" TARGET="_top" TITLE="Cry Hard, Cry Fast Part 2">Cry Hard, Cry Fast 2</A></div> <div> <A HREF="mustafaembrace.htm" TARGET="_top" TITLE="The Mustafa Embrace">The Mustafa Embrace</A></div> <div> <A HREF="itcouldonly_happeninrome.htm" TARGET="_top" TITLE="It Could Only Happen in Rome">It Could Only Happen </A></div> <div> <A HREF="itcouldonly_happeninrome.htm" TARGET="_top" TITLE="It Could Only Happen in Rome">  in Rome</A></div> <div> <A HREF="flybynight.htm" TARGET="_top" TITLE="Fly By Night">Fly by Night</A></div> <div> <A HREF="dangerousproposal.htm" TARGET="_top" TITLE="A Dangerous Proposal">A Dangerous Proposal</A></div> <div> <A HREF="1badturn.htm" TARGET="_top" TITLE="One Bad Turn">One Bad Turn</A></div> <div> <A HREF="rapeoflucrece.htm" TARGET="_top" TITLE="The Rape of Lucrece">The Rape of Lucrece</A></div> <div> <A HREF="killingscene.htm" TARGET="_top" TITLE="The Killing Scene">The Killing Scene</A></div> <div> <A HREF="sarojaneyou_neverwhispered.htm" TARGET="_top" TITLE="SaroJane, You Never Whispered Again">Sara-Jane, You Never </A></div> <div> <A HREF="sarojaneyou_neverwhispered.htm" TARGET="_top" TITLE="SaroJane, You Never Whispered Again">  Whispered Again</A></div> <div> <A HREF="strategy_of_terror.htm" TARGET="_top" TITLE="Strategy of Terror">Strategy of Terror</A></div> <div> <A HREF="deadonfurlough.htm" TARGET="_top" TITLE="The Dead On Furlough">The Dead on Furlough</A></div> <div> <A HREF="bewaremylove.htm" TARGET="_top" TITLE="Beware My Love">Beware My Love</A></div> <div> <A HREF="carol.htm" TARGET="_top" TITLE="Carol">Carol</A></div> <div> <A HREF="lifeamongmeateaters.htm" TARGET="_top" TITLE="Life Among the Meat Eaters">Life Among the Meat Eaters</A></div> <div> <A HREF="exchange.htm" TARGET="_top" TITLE="The Exchange">The Exchange</A></div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1967902c0.jpg" border=0 width="400" height="300" ALT="ason Wingreen, Ben Gazzara and John Lodge in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> The harbormaster phones the US Consul</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The Plot:</div> <bR> <div> Having recently met wealthy Neil Trotter, Paul is accompanying him on his sailboat from New Orleans to Trinidad to pick up a crew for a race starting in Rio de Janeiro.  When their experimental auto pilot malfunctions, they are forced to stop at the island of Bonaire. They are hassled a bit by authorities, but eventually allowed to land with the American consul's help.</div> <bR> <div> Neil gets on the phone to ave his plane flown from Arkansas to New Orleans . He wants a new part made for the boat.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="198a90180.jpg" border=0 width="400" height="280" ALT="Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul spends a boring evening waiting for Neil</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> After it's made he asks for his engineer to fly the part out to Bonaire to make repairs on  the auto pilot, </div> <bR> <div> When he's off the phone, Neil says that they have a hair's breath of being able to make their deadline, and then goes to the boat, telling Paul to remain at the hotel.</div> <bR> <div> Paul waits restlessly around the hotel looking for something to do, and is disappointed to receive a note that Neil won't meet him for dinner there. Becoming clearly bored in the bar, he turns in early.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="1969902c0.jpg" border=0 width="400" height="300" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Inspector Kronig questions Paul</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> In the morning Paul checks to see if there are any messages for him, and finds himself arrested and brought to the police department where he learns that Neil has been shot dead, his body found in the sea. Although Inspector Kronig really doesn't believe Paul to be the murderer, he is, no less, the prime suspect, and therefore, stands to be detained indefinitely, according to the advice of the US Consul.</div> <bR> <div> Eileen Trotter, the victim's wife, flies in, and comes to see Paul, wanting to know what he did to her husband, but Paul says he knows almost nothing.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="196a902c0.jpg" border=0 width="400" height="300" ALT="Kurt Kasznar and Victoria Shaw in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Inspector Kronig asks if Mrs. Trotter knows Katherine</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Inspector Kronig then knocks, and tells Mrs. Trotter that there is an American living on the island.</div> <bR> <div> She comes from the same city she lives in - Hot Springs, Arkansas, but the name means nothing to her.</div> <bR> <div> This woman, Katherine Cumiford, is highly thought of by locals, and thus, the Inspector is not really in a position to bring her in for questioning.  So he asks Paul to talk with her on an informal basis, arranging with the Governor for them to meet at a party in his home.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 306 ><NOBR><div> <IMG SRC="198b90180.jpg" border=0 width="400" height="280" ALT="Nancy Malone and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul chats with Katherine Cumiford</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul meets Katherine, and she says she knows of the name Trotter, but never met Neil, and expresses her sympathy to Paul, offering him any help she might give.  Paul reports back to Inspector Kronig that nothing she said would lead him to believe that she was concealing anything.</div> <bR> <div> Mrs. Trotter is then brought into the office, and Inspector Kronig asks her why she was concealing vital information from him. When she is bewildered by the question, he says her husband was connected to organized crime.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1972902c0.jpg" border=0 width="400" height="300" ALT="Kurt Kasznar and Victoria Shaw and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> InSpector Kronig accuses Mrs. Trotter</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> He says that the gun that killed mafia member Tony Polo was also used in her husband's murder.</div> <bR> <div> She tells him that, even when gambling was legal in Hot Springs, Neil didn't go near it, and that it is impossible that he had connections to mobsters.</div> <bR> <div> After she is gone, Paul and Inspector Kronig discuss the possibility of the killing being a mafia hit or just a murder by a private assassin. Paul says that Neil made enough phone calls to alert someone to their unexpected presence on the island. </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="196d902c0.jpg" border=0 width="400" height="300" ALT="Nancy Malone in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Katherine rejects Kay's invitation</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Inspector Kronig then puts forward the possibility that Paul is the killer, and tells him that if he tries to leave the island, he will be imprisoned.</div> <bR> <div> From the hotel pay phone, Kay Mills rings Katherine Cumiford, and asks her to meet her there to receive some valuable information. Katherine balks at the idea, and says she'll go nowhere, but if the caller wants to see her, she can come to her home.</div> <bR> <div> Distracted after the call, Kay bumps into Paul. </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="196b902c0.jpg" border=0 width="400" height="300" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Kay tries to cheer the gloomy Paul</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Eager to have someone to talk to, he invites her for a drink, but she declines, and tells him that she's just gone through a divorce. </div> <bR> <div> Later they do have a drink together. Paul says the piano music in the bar makes the room feel even emptier, and he explains how the friend he arrived at Bonaire with was killed, adding that the island feels like a large prison. </div> <bR> <div> Kay advises to try and make the best of it, venturing that they might help one another, saying that she'd planned to leave Bonaire tomorrow, but might stay on a little longer.  </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1973902c0.jpg" border=0 width="400" height="300" ALT="Kai Hernandez, Nancy Malone and Joanna Moore in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Katherine greets Kay with friendly recognition</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul then suggests that they have dinner together and go dancing afterwards, but Kay replies that she has something she must do that evening. </div> <bR> <div> Kay arrives at Katherine Cumiford's palatial home, and is greeted with both friendliness and recognition. Katherine invites Kay into the library, but as soon as they are alone, she asks her guest pointedly what Kay is doing there.</div> <bR> <div> Kay says that she was on the point of suicide, when she read about the murder of Neil Trotter.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="198d90180.jpg" border=0 width="400" height="280" ALT="Joanna Moore in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Kay said she was near suicide when she read the news</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Calling her hostess Sylvie, and saying that she was her best childhood friend, Kay says she married Johnny Mills who took everything she had.</div> <bR> <div> Then Kay says, as she read on about the murder in Bonaire, she learned that she herself apparently lived there too.</div> <bR> <div> So she decided to come to the island to find out who was impersonating her. Katherine - or Sylvia - smiles, and says she guesses Kay wants an explanation why she has taken Kay's name.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="1974902c0.jpg" border=0 width="400" height="300" ALT="Nancy Malone in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Sylvie listens carefully to what Kay says</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Kay says she needs no explanation, because she found out the previous night - that Neil Trotter and Tony Polo were shot with the same gun. And she realizes that Sylvie needed a new name in order to get a passport. When Katherine / Sylvie ask Kay what she wants, Kay refers to the fact that their last meeting on graduation night was one of pure happiness, and that she was  never happy since. </div> <bR> <div> But her friend appears to have done very well, and Kay feels that she could be happy again with the money Sylvie is going to give her, having stolen Kay's name.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1982902c0.jpg" border=0 width="400" height="300" ALT="Joanna Moore in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> When Sylvie appears to go for a gun, Kay warns her</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> When asked how much she wants, Kay suggests $30,000 a year, and receives an outright no.</div> <bR> <div> Kay goes on to mention Sylvie leaving Hot Springs with a gangster who was murdered four years later, and points out that they never found Tony Polo's killer.</div> <bR> <div> When Sylvie appears to reach for something in a drawer, Kay quickly tells her not to go for a gun - saying that all the information has been written down, so as soon as they settle how the payment will be handled, she will leave.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="1979902c0.jpg" border=0 width="400" height="300" ALT="Joanna Moore and Nancy Malone in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Kay says she wants immediate cash</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Sylvie says she could never pay the amount Kay wants. But Kay points out the papers called Sylvie's boyfriend the mafia banker, and Sylvie responds that though she saw Tony distribute a million in cash on a single night, all she was able to get away with was $300,000 which paid for the house and a few investments which only bring in a thousand a month. “I don't have anything else!” she insists. Kay suggests borrowing $60,000 on the house to cover the first two years. “What about the years after that?” Sylvie asks, but Kay says she might even get married, and Sylvie might never see her again.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 325 ><NOBR><div> <IMG SRC="196c902c0.jpg" border=0 width="400" height="300" ALT="Joanna Moore and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul is depressed and drinking heavily</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Then she tells Sylvie that she needs some cash immediately to cover her expenses.</div> <bR> <div> Sylvie goes into another room, and brings out some money, handing it to Kay.</div> <bR> <div> But she says, that's all there's going to be- no $30,000. “$60,000” Kay corrects her.</div> <bR> <div> When Kay returns to the hotel she finds Paul drinking heavily in the bar.He says that Mrs. Trotter thinks he killed her husband, then she apologizes and starts again, declaring it's the same with Inspector Kronig who insists on keeping him at Bonaire.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="1971902c0.jpg" border=0 width="400" height="300" ALT="Joanna Moore and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> A drunken Paul apologizes to Kay</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div>  Kay tries to get Paul to eat, but he continues to drink. She eventually gets him up to his room, completely inebriated. He collapses on the bed, but when she tries to take off his shoes, Paul jumps up angrily, and makes himself another drink. He then apologizes to Kay, and falls back into the bed. Paul dozes off,  hallucinating that the stripes on her dress are prison bars, and moans, “let me go.”</div> <bR> <div> Kay stays with him until he's fully asleep, and leaves a note when she goes.  At 5 am she's just gone to bed herself when Paul knocks at her door.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="1975902c0.jpg" border=0 width="400" height="300" ALT="Joanna Moore and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Kay says she needs legal advice</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> He's carrying Kay's letter. He says his behavior was out of line, and she tells him kindly that he didn't have to come and tell her that as soon as he woke.</div> <bR> <div> Paul asks her what she wanted to see him about, and Kay says she needs legal advice, adding that she knows who killed Neil Trotter. Her concern is that when she tells the police, they'll realize she's known for days, and she fears they'll charge her for obstructing justice. Paul is only interested to know who killed Neil, but Kay just asks if she'd be in serious trouble. “Why didn't you tell them?” Paul suddenly asks angrily.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="1986902c0.jpg" border=0 width="400" height="300" ALT="Joanna Moore in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Kay says she must go to the police</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> She answers directly that her knowledge enabled her to get some money blackmailing the murderer, a way of changing her life from dingy living and unpaid bills, maybe fulfilling so many long-held dreams. But Kay says that, because of Paul, she can no longer go through with the plan. She says that he talked a lot in his sleep, and she put all the lines together, and knows why he feels as if he is living in a cage.“You haven't long to live,” she says, then asks him to correct her if she's wrong.</div> <bR> <div> Kay says that she must go to the police, or else Paul could be on Bonaire for months.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="197e902c0.jpg" border=0 width="400" height="300" ALT="Joanna Moore and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Kay explains about knowing Neil in her teens</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul only replies, “tell me who killed Neil,” and Kay says it's Sylvie Marsh, the woman he's met as Katherine Cumiford. Paul wants to know why, and Kay refers to being a dreamer since childhood, her dreams seeming to come true when she met Neil.</div> <bR> <div> They only dated a few times, and he let her off gently, saying she was too vulnerable. </div> <bR> <div> Kay then tells Paul that her maiden name was Katherine Cumiford, and that when he arrived at Bonaire, Neil must have seen her name and gone to find her, only to encounter Sylvie masquerading as Katherine.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="1987902c0.jpg" border=0 width="400" height="300" ALT="Victoria Shaw and Nancy Malone in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Mrs. Trotter says she recognizes Sylvie</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> She must have killed Neil for fear of being exposed as an imposter, her true identity and lavish lifestyle leading police to connect her with the death of Tony Polo.</div> <bR> <div> Paul phones Inspector Kronig with the information, and Mrs. Trotter goes to visit Katherine Cumiford (Sylvie). When she recognizes Sylvie vaguely from Hot Springs. Sylvie says she's not Katherine, but rather her secretary, and that, being indisposed, Katherine won't be able to see Mrs. Trotter today, perhaps tomorrow. Mrs. Trotter says she's flying out today, but might return later in the week.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="196f902c0.jpg" border=0 width="400" height="300" ALT="Victoria Shaw and Nancy Malone in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Sylvie offers to take Mrs. Trotter to the airport</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> She asks the secretary's name, again saying that she looks familiar. Sylvie says they may have known one another from Akron, but Mrs. Trotter says she'd seen her in Hot Springs, Sylvie replying she'd never been there.</div> <bR> <div> When Mrs. Trotter then asks if she could use the phone to call a taxi, Sylvie volunteers to take her to the airport, saying it's on her way to a planned destination. Sylvie leaves to get her handbag, and places a gun in it, and when she returns, Mrs. Trotter says she's sure to remember where she's seen the woman before on the drive into town.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="1970902c0.jpg" border=0 width="400" height="300" ALT="Victoria Shaw and Nancy Malone in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Mrs. Trotter says they're on the wrong road</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> After they've left Inspector Kronig arrives at the house, and learns that the two women have left together. He calls police units to search for Katherine Cumiford's maroon convertible. As she is supposedly being driven to the airport, Mrs. Trotter recognizes the road leading to the spot where Inspector Kronig showed her where her husband's body was found. She questions Sylvie that this is definitely not the route to the airport. At this point Sylvie stops the car and pulls out the gun from her handbag, pointing it at Mrs. Trotter, and telling her to get out of the car. Mrs. Trotter refuses, trying to wrest the gun from Sylvie's hand.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1978902c0.jpg" border=0 width="400" height="300" ALT="Kurt Kasznar, Nancy Malone and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Sylvie walks toward Inspector Kronig</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> They struggle over it, and eventually the gun goes off harmlessly, just as Inspector Kronig, Paul and Kay arrive on the scene.</div> <bR> <div> Seeing the police car both women jump out of the convertible, Mrs. Trotter racing towards the group which has appeared, and Sylvie running to the high cliff overlooking the ocean.</div> <bR> <div> Inspector Kronig shouts at her not to jump, saying that if she comes with him and stands trial, at least she will live. Sylvie turns away from the sea, and walks slowly toward InSpector Kronig, Paul and Kay looking on.</div> </tD> </tR> </TABLE></div> <bR> </NOBR></tD> </tR> </TABLE></div> <div> <IMG SRC="287281e0.gif" border=0 width="40" height="30" ALIGN="BOTTOM" HSPACE="0" VSPACE="0">Notes & Comments:  Using a lot of visual imagery suggesting bars - from Kay's striped dress to window blinds and various bits of décor - Paul's sense of being caged up on the island gives some additional insights into his state of mind.</div> <bR> <div> The slow pace of the episode adds a little to the sense of endlessness in only a few days without totally stalling an interesting murder mystery plot.</div> <bR> <bR> <DIV ALIGN="LEFT"></DIV> <div> <A HREF="http://www.run4.us/journal/31march_4april66.htm" TARGET="_top" TITLE="http://www.run4.us/journal/31march_4apri"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="841" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 270 ><NOBR><div> <IMG SRC="1988a6dc0.jpg" border=0 width="166" height="220" ALT="oanna Moore in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Joanna Moore</div> <div> as Kay Mills</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="197693dc0.jpg" border=0 width="147" height="220" ALT="Nancy Malone in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Nancy Malone</div> <div> as Katherine</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="19849cdc0.jpg" border=0 width="156" height="220" ALT="Kurt Kasznar in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Kurt Kasznar as</div> <div> Inspector Kronig</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="197baadc0.jpg" border=0 width="170" height="220" ALT="Victoria Shaw in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Victoria Shaw as</div> <div> Eileen Trotter</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="197a9edc0.jpg" border=0 width="158" height="220" ALT="John Lodge in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> John Lodge</div> <div> as Neil Trotter</div> </NOBR></tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1025" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 270 ><NOBR><div> <IMG SRC="197c94dc0.jpg" border=0 width="148" height="220" ALT="Jean Durand in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Jean Durand</div> <div> as Lt. Duvali</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="197f9bdc0.jpg" border=0 width="155" height="220" ALT="Ward Ramsey in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Ward Ramsey</div> <div> as the Consul</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1981aadc0.jpg" border=0 width="170" height="220" ALT="Jason Wingreen in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Jason Wingreen as</div> <div> the Harbormaster </div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="19839ddc0.jpg" border=0 width="157" height="220" ALT="Kai Hernandez in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Kai Hernandez</div> <div> as the Maid</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1977a5dc0.jpg" border=0 width="165" height="220" ALT="Barbara Blake in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Barbara Blake as</div> <div> the Desk Clerk</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1989a3dc0.jpg" border=0 width="163" height="220" ALT="Violet Rensing in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Violet Rensing</div> <div> as Mrs. Van Gorler</div> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> Next Episode:  <A HREF="gameofviolence.htm" TARGET="_top" TITLE="A Game of Violence">A Game of Violence</A></div> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <div> <IMG SRC="0dc96450.png" border=0 width="150" height="69" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </td> </tr></table></body>