Make the Angels Weep

<body topmargin=0 leftmargin=0 marginheight=0 marginwidth=0> <table cellpadding=0 cellspacing=0 border=0 height="100%"><tr> <td valign="top" width=1 style="border-right: 1px solid #555555;" BGCOLOR="#000000" TEXT="#F7F7FF"> <bR> </td> <td valign="top" width="100%" BGCOLOR="#000000" TEXT="#F7F7FF"> <div> f</div> <bR> <DIV ALIGN="LEFT"></DIV> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1286" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 206 ><NOBR><div> <IMG SRC="1b570ac80.png" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="1b580ac80.png" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"><IMG SRC="1b590ac80.png" border=0 width="266" height="200" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> </NOBR></tD> <tD VALIGN=TOP BGCOLOR=#330000 WIDTH="477"><bR> <div> Run For Your Life</div> <div> Starring Ben Gazzara</div> <div> <A HREF="index.htm" TARGET="_top" TITLE="Ben Gazzara Episode Guide to Run For Yo">Homepage</A></div> <bR> <bR> <div> Episode:</div> <div> Make the Angels Weep</div> </tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1285" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP BGCOLOR=#330000 HEIGHT= 56 WIDTH="797"><bR> <div>           <A HREF="videos.htm" TARGET="_top" TITLE="Video List">List of Videos</A>           <A HREF="http://run4.us/journal/" TARGET="_top" TITLE="http://run4.us/journal/"> Paul Bryan's Journal</A> (and Chronology of Events)</div> </tD> <tD VALIGN=TOP WIDTH="477"><bR> <div> To contact us, click Homepage link above</div> </tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1075" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 153 WIDTH="659"><div> Synopsis: An old friend of Paul's is on the run, suspected of murdering his lover's husband, and Paul returns to his home town to investigate the case. With Carol Lawrence as Rosinha Fielding, Anne Seymour as Mrs. Fielding, Mario Alcalde asTony Oliveira, Don Dubbins as Robin Fielding, Alberto Morin as Sebastian, Charles Seel as Rudy Fowler, Jeff Scott as Cal Jameson, Jack Krupnica as the Attendant, Kirk Duncan as Johnny Deedrick Allen Jung as the Bartender</div> </tD> <tD VALIGN=TOP><NOBR><div> Episode 13</div> <div> First broadcast on</div> <div> Cecember 13, 1965</div> <div> Teleplay by John T. Dugan</div> <div> Story by John Thomas James</div> <div> Directed by Leslie H. Martinson</div> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <bR> <bR> <div> SEE INDIVIDUAL PHOTOS OF ENTIRE CAST AT THE BOTTOM OF THIS PAGE</div> <bR> <bR> <div> <A HREF="http://run4.us/journal/1_7september65.htm" TARGET="_top" TITLE="http://run4.us/journal/1_7september65.ht"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="1179" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 5260 ><NOBR><div> Creative Team</div> <div> Producer</div> <div>      Jo Swerling Jr.</div> <div> Associate Producer</div> <div>      Paul Freeman</div> <div> Music</div> <div>      Pete Rugolo</div> <div> Director of Photography</div> <div>      Nick Musuraaoa A.S.C.</div> <div> Art Director</div> <div>      Howard E. Johnson</div> <div> Film Editor</div> <div>      Robert Watts A.C.E.</div> <div> Unit Manager</div> <div>      Willard Sheldon</div> <div> Assistant Director</div> <div>      Joseph Cayalies</div> <div> Set Decorators</div> <div>      John McCartey  &</div> <div>      Perry Murdoch</div> <div> Sound</div> <div>      Frank H. Wilkinson</div> <div> Color  Coordinator</div> <div>      Robert Brower</div> <div> Color by Pathe</div> <div> Editorial Dept. Head</div> <div>      David J. O'Connell</div> <div> Musical Supervisor</div> <div>      Stanley Wilson</div> <div> Costumes by Burton Miller</div> <div> Makeup</div> <div>      Bud Westmore</div> <div> Hair Stylist</div> <div>      Larry Germain</div> <div> Paintings by Ben Roberts</div> <div> (Courtesy of His Collectors)</div> <bR> <div> Links to Other Episodes</div> <div> <A HREF="raptureat240.htm" TARGET="_top" TITLE="Rapture at Two Forty">Rapture at Two Forty</A></div> <div> <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">The Cold, Cold War </A></div> <div>   <A HREF="coldwarofpaulbryan.htm" TARGET="_top" TITLE="The Cold, Cold War of Paul Bryan">of Paul Bryan</A></div> <div> <A HREF="girlnextdooraspy.htm" TARGET="_top" TITLE="The Girl Next Door Is A Spy">The Girl Next Door Is A Spy</A></div> <div> <A HREF="someonemakesmebeautiful.htm" TARGET="_top" TITLE="Someone Who Makes Me Feel Beautiful">Someone Who Makes </A></div> <div>   <A HREF="someonemakesmebeautiful.htm" 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TITLE="Life Among the Meat Eaters">Life Among the Meat Eaters</A></div> <div> <A HREF="exchange.htm" TARGET="_top" TITLE="The Exchange">The Exchange</A></div> </NOBR></tD> <tD VALIGN=TOP><NOBR><bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="819" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 325 ><NOBR><div> <IMG SRC="1b48902c0.png" border=0 width="400" height="300" ALT="Charles Seel and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> The sheriff talks about the murder of Robin Fielding</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The Plot:</div> <bR> <div> Paul arrives at his home town of Almeria, California, and is greeted by a former sheriff who remembers him.</div> <bR> <div> They talk about the murder eight months earlier of Robin Fielding, and how the new sheriff would like to get a hold of murder suspect Johnny Deedrich who's gone on the run.</div> <bR> <div> Though Paul claims his visit is social, the old sheriff appears sceptical that Paul is back home just to have a look around.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1b49902c0.png" border=0 width="400" height="300" ALT="Anne Seymour and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Mrs. Fielding speaks of her son's self portrait</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul then visits the home of the victim, and pays respects to his mother, now in a wheelchair.</div> <bR> <div> She speaks about her murdered son Robbie, often looking over to a self-portrait the painter did of himself. She refers to the picture as “a joke he painted to humor me.”</div> <bR> <div> After the brief visit, Paul drives to a quiet location nearby, and when he sees a station wagon leaving the house, he follows it. The driver stops at a service station, and so he does too.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 326 ><NOBR><div> <IMG SRC="1b4a902c0.png" border=0 width="400" height="300" ALT="Carol Lawrence and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul brings up her romance with Johnny Dietrich</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> The person he's followed is Rosinha Fielding, Robbie's widow.  She thanks Paul for visiting her mother-in-law, and he asks her to have dinner with him, but she declines firmly.</div> <bR> <div> From a nearby town, Paul then phones Johnny Deedrich, the supposed murderer, in Laos, and tells him of his limited progress in Almeria.</div> <bR> <div> Paul then returns to the Fielding home, claiming to have a dinner engagement with Rosinha. He is escorted into her studio, and she is surprised to see him.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="1b4b902c0.png" border=0 width="400" height="300" ALT="Carol Lawrence and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Rosinha agrees to meet Paul for lunch</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> He again asks her to have dinner with him, but she once more refuses. So he brings up her affair with Johnny Deedrich, and how Johnny was supposed to kill her husband. Rosinha says the stories are true, so Paul tells her that he needs to talk to someone about the events that made his best childhood friend and war buddy a fugitive from justice, and that he needs to find out the truth about what happened with her husband. Rosinha appears agreeable to that, and so he suggests going away from town for a picnic lunch the next day, and she names a place he remembers.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="1b4c902c0.png" border=0 width="400" height="300" ALT="Carol Lawrence and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Rosinha talks about her marrige</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> As they lunch Rosinha tells Paul of a loveless marriage to insanely jealous Robbie, which after three years, led her to an affair with Johnny Deedrich, and resulted in Johnny killing her husband. Not able to face what she'd caused, she ran away, but her mother-in-law had a stroke and was paralysed. Now, Rosinha will never leave her, even though she feels ostracized in the town where the District Attorney, whom she'd dated before her marriage, had questioned her relentlessly about the murder. Paul believes Johnny to be incapable of the crime, and suggests a dinner engagement to talk again.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="1b5a90180.png" border=0 width="400" height="280" ALT="Carol Lawrence and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul questions Rosinha about the missing cash</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> When he drives back into town, Paul is met by a deputy sheriff who says the District Attorney wants to see him. Olivera tells Paul that, for a year, Rosinha made deposits in an account in her name, then withdrew the entire $84,000 on the day of her husband's death, but appears no longer to have it. Paul then admits to Olivera that he knows where Johnny Deedrich is.</div> <bR> <div> That evening Rosinha meets Paul for dinner, and he asks her about the missing money. </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 305 ><NOBR><div> <IMG SRC="1b5b90180.png" border=0 width="400" height="280" ALT="Carol Lawrence and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul asks to see Rosinha again, but she says no</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> She says that her husband asked her to bank it for something like tax reasons, and that she withdrew it and gave it all to him in cash on the morning of his death.  Everyone believes she gave the money to Johnny, to make a getaway, but Paul believes she didn't.</div> <bR> <div> Rosinha then tells Paul that the romance between herself and Johnny was already over when her husband was killed. She'd told Johnny that she would get a divorce, but he said that he didn't want to marry her, and wasn't in love with her.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 349 ><NOBR><div> <IMG SRC="1b4f902c0.png" border=0 width="400" height="300" ALT="Ben Gazzara and Anne Seymour in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Robbie's mother asks Paul to leave the house</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Paul is touched when she says that she's never told anyone that, and asks to see her again, but she says there's no point, and she's driving to Carmel the next day</div> <bR> <div> Nevertheless, Paul goes to the house even though he knows she's not there, saying he'll wait until she gets back. Robbie's mother tells him that she doesn't like Rosinha seeing Paul, saying that she wants to shield her daughter-in-law after the great aftermath of her affair with Johnny.  Mrs. Fielding says that Rosinha is not capable of living with her guilt, and therefore made her promise to stay with her mother-in-law forever.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 23 WIDTH="407"><IMG BORDER="0" SRC="1x1.gif" HEIGHT="23" ALIGN="bottom" WIDTH="407" HSPACE="0" VSPACE="0"></tD> <tD VALIGN=TOP WIDTH="401"><IMG BORDER="0" SRC="1x1.gif" HEIGHT="23" ALIGN="bottom" WIDTH="401" HSPACE="0" VSPACE="0"></tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 23 WIDTH="407"><IMG BORDER="0" SRC="1x1.gif" HEIGHT="23" ALIGN="bottom" WIDTH="407" HSPACE="0" VSPACE="0"></tD> <tD VALIGN=TOP WIDTH="401"><IMG BORDER="0" SRC="1x1.gif" HEIGHT="23" ALIGN="bottom" WIDTH="401" HSPACE="0" VSPACE="0"></tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 23 WIDTH="407"><IMG BORDER="0" SRC="1x1.gif" HEIGHT="23" ALIGN="bottom" WIDTH="407" HSPACE="0" VSPACE="0"></tD> <tD VALIGN=TOP WIDTH="401"><IMG BORDER="0" SRC="1x1.gif" HEIGHT="23" ALIGN="bottom" WIDTH="401" HSPACE="0" VSPACE="0"></tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 75 WIDTH="407"><bR> <bR> <bR> <bR> </tD> <tD VALIGN=TOP WIDTH="401"><bR> <bR> <bR> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 87 WIDTH="407"><IMG BORDER="0" SRC="1x1.gif" HEIGHT="87" ALIGN="bottom" WIDTH="407" HSPACE="0" VSPACE="0"></tD> <tD VALIGN=TOP WIDTH="401"><bR> <bR> <div> Paul looks at her, and then responds, “you're punishing her, Mrs. Fielding?” </div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="1b50902c0.png" border=0 width="400" height="300" ALT="Carol Lawrence and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul shows Rosinha the note sent to Johnny</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> She wheels herself away crossly, but Paul presses her. She asks him to leave, but he says that he'll wait in Rosinha's studio.  There, he tries typing something on her typewriter, and then pulls out another sheet from his pocket and compares it. Rosinha then walks in and confronts him. He questions her, and she confirms that she always used the machine to type notes to Johnny, signing them with her initials. Paul shows her a note matching the machine and signature/ It asked Johnny to go to the cottage where they always met, on the night of the murder. Rosinha says she never wrote the letter.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="1b51902c0.png" border=0 width="400" height="300" ALT="Carol Lawrence and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul says the note was used to frame Johnny</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> When she sees the note, Rosinha asks where Paul got it, and he says that it came from Johnny, who is now in Laos, where Paul saw him the previous week.  Rosinha is relieved that he is safe, but Paul says that Johnny wants to come home, that he isn't guilty, having found Robbie dead when he went to the cottage in response to Rosinha's note.</div> <bR> <div> When she responds that two witnesses saw Johnny, Paul replies that they only saw him running from the cottage, something he did, realizing that he'd been framed.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 325 ><NOBR><div> <IMG SRC="1b52902c0.png" border=0 width="400" height="300" ALT="Anne Seymour, Alberto Morin, Carol Lawrence and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Sebastian goes to call the police</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Shortly after leaving the house, Paul finds that his breaks have been tampered with, and his car crashes, only sparing him by some skilful driving. He returns to the house to tell the women, and Robbie's mother feels that he is accusing her of the attempt on Paul's life.  He goes to leave, and Rosinha stops him, saying that no one there would try to harm him.</div> <bR> <div> Paul is perplexed, asks her some questions, then tells her to take him to the cottage in Pacific Grove where she used to meet Johnny.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 328 ><NOBR><div> <IMG SRC="1b53902c0.png" border=0 width="400" height="300" ALT="Carol Lawrence in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Rosinha screams in horror when she sees their attacker</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> Inside the cottage, Rosinha tells Paul that the murder occurred in the bedroom.  When they start in that direction, they hear a creak, and are put on their guard.  Then suddenly, glass is broken and shots ring out, as someone fires at them.  They take cover behind a sofa, and when the firing stops,Paul runs to the front door to go after the assailant. Outside, he spots the man, and chases him into the adjacent woods, Rosinha following behind.  Paul finally catches the man, and knocks him down.  When Rosinha runs up and sees the man on the ground, she lets out a scream of horror.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 327 ><NOBR><div> <IMG SRC="1b55902c0.png" border=0 width="400" height="300" ALT="Mario Alcalde and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> The District Attorney explains what happened</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> In the following scene, Paul is pacing nervously, and then the District Attorney comes in, saying that he has a full confession.</div> <bR> <div> He says that Robbie had been planning to fake his murder for up to a year, when he started getting Rosinha to put money into an account to have for the day when he found a man who fit his general description, someone no one would ever be looking for when they went missing. He offered the vagrant a job, got him dressed in his own clothing, and then shot him in the face with a rifle.</div> </tD> </tR> <tR> <tD VALIGN=TOP HEIGHT= 665 ><NOBR><div> <IMG SRC="1b54902c0.png" border=0 width="400" height="300" ALT="Carol Lawrence and Ben Gazzara in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Paul insists that Rosinha leaves Almeria</div> <bR> <div> <IMG SRC="1b56902c0.png" border=0 width="400" height="300" ALT="Don Dubbins in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> A quite mad Robbie justifies himself</div> </NOBR></tD> <tD VALIGN=TOP WIDTH="401"><div> He adds that Robbie's mother knew that her son was alive, and helped to hide him, adding that felony charges were being filed against her.  There follows a sequence of Robbie speaking on his own from a cell to no one in particular, justifying his actions to “defend his home.”</div> <bR> <div> Paul goes to the hotel where Rosinha has been staying.  She is planning to go see her husband and mother-in-law, but Paul tells her not to, that she's done her penance.</div> <bR> <div> He tells her that she's going away, to San Francisco, to stay with her sister whom he has phoned. She resists, and Paul tells her not to even go back to the house, to let anything she needs be sent onwards.</div> <bR> <div> The scene returns to Robbie speaking in his cell in a perverse sort of way about his wife and Johnny, how it was better to leave them alive and punishing themselves forever while he will be free.</div> </tD> </tR> </TABLE></div> <bR> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <div> Notes & Comments:  Although most of this episode smacks of soap opera, it is interesting for the overabundance of aggression - often bordering on rudeness - displayed by the usually courteous Paul Bryan who is ever diffident until pushed to the edge.</div> <bR> <div> Also marked by an outstanding performance by Anne Seymour whose correctness never belies what is hiding behind the mask - a performance within a performance, as it were.</div> <bR> <div> Unfortunately, the setting of Paul's home town is exploited in no way to give the audience any insight whatsoever into his background, and might, just as well, been anywhere else in America.</div> <bR> <div> Certainly, listening to Ben Gazzara's strong New York accent, often pronounced, one wonders why the scripts couldn't have been adjusted to have him coming from New York, and just being educated and living the rest of his life in California.</div> <bR> <bR> <bR> <DIV ALIGN="LEFT"></DIV> <div> <A HREF="http://run4.us/journal/1_7september65.htm" TARGET="_top" TITLE="http://run4.us/journal/1_7september65.ht"><IMG SRC="170f242c0.jpg" border=0 width="804" height="44" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></A></div> <bR> <bR> <bR> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="825" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 270 ><NOBR><div> <I><IMG SRC="1b639cdc0.png" border=0 width="156" height="220" ALT="Carol Lawrence in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></I></div> <DIV ALIGN="LEFT"></DIV> <div> Carol Lawrence as</div> <div> Rosinha Fielding</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1b5e8cdc0.png" border=0 width="140" height="220" ALT="Anne Seymour in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Anne Seymour</div> <div> as Mrs. Fielding</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1b619bdc0.png" border=0 width="155" height="220" ALT="Mario Alcalde in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Mario Alcalde</div> <div> asTony Oliveira</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1b64a2dc0.png" border=0 width="162" height="220" ALT="Don Dubbins in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Don Dubbins</div> <div> as Robin Fielding</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1b5d98dc0.png" border=0 width="152" height="220" ALT="Alberto Morin in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <div> Alberto Morin</div> <div> as Sebastian</div> </NOBR></tD> </tR> </TABLE></div> <div> <TABLE BORDER="0" CELLPADDING="2" CELLSPACING="1" WIDTH="650" BORDERCOLORLIGHT="#C0C0C0" BORDERCOLORDARK="#808080" FRAME="BOX" RULES="ALL" HSPACE="0" VSPACE="0" > <tR> <tD VALIGN=TOP HEIGHT= 270 ><NOBR><div> <I><IMG SRC="1b5ca2dc0.png" border=0 width="162" height="220" ALT="Charles Seel in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></I></div> <DIV ALIGN="LEFT"></DIV> <div> Charles Seel</div> <div> as Rudy Fowler</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1b629cdc0.png" border=0 width="156" height="220" ALT="Jeff Scott in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Jeff Scott as</div> <div> Cal Jameson</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <I><IMG SRC="1b60a6dc0.png" border=0 width="166" height="220" ALT="Kirk Duncan in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></I></div> <DIV ALIGN="LEFT"></DIV> <div> Kirk Duncan as</div> <div> Johnny Deedrich</div> </NOBR></tD> <tD VALIGN=TOP><NOBR><div> <IMG SRC="1b5f9adc0.png" border=0 width="154" height="220" ALT="Allen Jung in Run For Your Life" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <DIV ALIGN="LEFT"></DIV> <div> Allen Jung as</div> <div> the Bartender</div> </NOBR></tD> </tR> </TABLE></div> <bR> <bR> <bR> <div> Next Episode:  <A HREF="journeyintoyesterday.htm" TARGET="_top" TITLE="Journey into Yesterday">Journey into Yesterday</A></div> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <bR> <div> <IMG SRC="0dc96450.png" border=0 width="150" height="69" ALIGN="BOTTOM" HSPACE="0" VSPACE="0"></div> <bR> </td> </tr></table></body>