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Run For Your Life
Starring Ben Gazzara
Episode:
The Last Safari
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To contact us, click Homepage link above
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Synopsis: Paul joins Mark Foster (Leslie Nielsen) on safari in Africa to help his daughter Julie (Lesley-Ann Warren), a patient of his own doctor, come to terms with her terminal diagnosis. With Louise Latham as Clare Burden, Abraham Sofaer as Mr. Singh, Keith McConnell as O'Connor, Ivor Barry as Dr. McEwen, Jean Durand as Ahmed
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Episode 28
First broadcast on
April 25, 1966
Written by John W. Bloch & Mel Goldberg
Story by John Thomas James (Roy Huggins)
Directed by Abner Biberman
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SEE INDIVIDUAL PHOTOS OF ENTIRE CAST AT THE BOTTOM OF THIS PAGE
Watch a video clip from this episode on the same page
plus a  of Paul explaining how he is coping with the diagnosis
Creative Team
Songs by Contessa and
King Charles Miles
Producer
Gordon Hessler
Associate Producer
Paul Freeman
Music
Pete Rugolo
Director of Photography
John L. Russell A.S.C.
Art Director
Howard E. Johnson
Film Editor
Carl Pingitore.
Unit Manager
Willard Sheldon
Assistant Director
Kenny Kline
Set Decorators
John McCartey &
Robert C. Bradfield
Sound
Frank K. Wilkinson
Color Coordinator
Robert Brower
Color by Technicolor
Editorial Dept. Head
David J. O'Connell
Musical Supervisor
Stanley Wilson
Costume Supervisor
Vincent Dee
Makeup
Bud Westmore
Hair Stylist
Larry Germain
Links to Other Episodes
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Paul and Foster watch Clare show off her tusks
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The Plot:
As Paul arrives at the Masai Safari Club, American Clare Burden is gloating to Mark Foster over the tusks of an elephant she's just killed. Paul approaches Foster, telling him that he is also a patient of Dr. Mason who is treating Foster's daughter, and hands him a letter from the doctor, that he'd ask Paul to deliver when in Nairobi. Foster is irritated that Dr. Mason has shared the information about Julie's terminal illness with Paul, who explains that he told Dr. Mason he'd be in Zanzibar, and the doctor asked him to fly to Kenya to see the Fosters.
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Foster is brusque with Paul, but asks him to stay
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Dr. Mason had the idea that Paul might be of help to them. Although apologizing for his initial brusqueness, Foster tells Paul that he needs no help, and that his daughter is unaware of the diagnosis. There is a somewhat sharp exchange over the advisability of handling the situation in this way, but though Paul clearly expresses his opinion, he is very quiet about it, and bids farewell to Foster.
Regretting how he handled Paul's goodwill mission, Foster asks him to stay on at the safari club as his guest, and Paul accepts the invitation.
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Julie says she'll show Paul the real Africa
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Paul dines with the Fosters, and Julie explains it's her first safari, but unlike her father, she doesn't want to kill anything, just to see the exotic animals. Outside, the native people dance, sing and play drums to entertain the guests at the safari club, and Julie says this is staged for the tourists to live up to their expectations of Africa. Julie says she'll show him the scene, and after dinner Paul and Julie go off for a drink and conversation. They hit it off well, and she says she never enjoyed the drumming as on this night. Later, her father invites Paul to go out on safari into the bush the next day
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Julie photographs animals from the bumping jeep
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A convoy of trucks takes them into the bush where they even dine on a white table cloth. Driving in jeeps, they see many animals, and Julie photographs some, including a rhino that nearly charges them. Then, on foot, the party of Paul, the Fosters and guide O'Connor approaches a lion. But as Paul is about to shoot, an elephant begins to charge, and Paul kills him. That evening, there is much dancing and drumming, all centering around Paul for the success of his elephant kill, but Julie goes back to her tent early, and her father goes to see if anything is wrong. No, she says.
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O'Connor advises Paul on killing
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Foster talks with Paul in his tent, and says he invited him along to observe how a man who knew he was going to die could act so normally, hoping to learn something. He adds that he's thinking of telling his daughter the awful prognosis, and asks Paul whether he was happy he knew about his own.
Paul says that he is glad to be aware how much time he has left, telling Foster that, in the past, he was only living for the future, like most people do, working for a goal for someday. Had he not known, he would have spent two pointless years working towards something he'd never reach.
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Paul explains how he makes a day feel like a month
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After he learned his diagnosis, Paul says he stopped putting off life until someday. He gives an example of how he's making every day count, so that the time he has seems like more. “On Saturday I was in Madrid. On Sunday I was diving off an island in the Seychelles. Monday morning, when I was getting dressed, I had to make myself realize that I'd been in Paris on Friday. Now that was only three days, but I felt I'd lived for three months."
Foster takes it all in thoughtfully, thanks Paul, and leaves to make his decision.
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It's decided that Julie will stay in a safe place
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The following day is Foster's time to make a kill, and this time, Julie stays at a safe distance with Paul, telling him that she likes the safari, but would rather see things live than die. Having admitted to caring greatly for her father, Julie explains that they hadn't always gotten along, she being a bit of a rebel, or a “non-conforming conformist,” as she puts it. Before her death her mother had lived for being a wife, something Julie thought was square, but now she feels that love, a home and family are the things she really wants herself.
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Julie witnesses her father being mauled by a lion
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While they are deep in this reflective conversation, suddenly shots and screams are heard.
It is the guide Ahmed shouting for help as Foster is being mauled by the lion he was about to shoot. Everyone quickly gathers, and the lion is shot before killing his pursuer. Foster is taken to a hospital by helicopter. As it takes off, knowing her father's life hangs in the balance, Julie says plaintively, “we were just beginning.”
Paul accompanies Julie to the hospital to see her father, but things look dismal.
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Paul and Julie visit Foster in the hospital
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He has remained unconscious for three days before doctors feel he's passed out of danger. Paul then receives a call to come and speak to Foster.All the while they were at his bedside, Foster says he could hear his daughter, Paul and the doctor speaking, but felt like he was drowning, and might die at any moment. Paul tells Foster not to think about the fact he nearly died, but Foster goes on, and says that he felt death waiting, and wasn't in panic, not afraid. It was the thought of dying that had always made him fearful, and now, he's decided to tell his daughter about her diagnosis.
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Julie is hysterical when she learns the news
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Paul says that he never tells people how to live their lives, but must break that rule, and ask Foster not to tell Julie, adding that her whole world is built around becoming a wife and mother, and Paul believes that she can't face losing that. He says that Foster should not take from Julie what sustains her. Nevertheless, Foster does tell Julie, and then rings Paul to say she's run off in horror. Paul grabs a club car, and drives off after Julie. It's a wild chase over bad ground, first by vehicle, then on foot. He finally catches her, and she hysterically tries to release herself from his grasp. screaming repeatedly, “I'm going to die!"
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lls Julie about his own experience
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Paul yells, “I know, but not tomorrow! And that's all any of us know for sure.” Finally, he has to slap her to calm Julie down, and tells her that he went through the same thing, even to the insanity of ending his life then and there.
“Everybody dies, the only thing is that we're more aware of that,” he adds. Gently, he tells her that she'll learn to accept it. When she asks him how long he's known about his own fate, Paul says that calendar keepers have a different idea of time than he and she do, that she'll find that out when she makes time live instead of killing it.
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Notes & Comments: The slight story line of this episode is its greatest downfall with a wooden performance from Leslie Nielsen bringing it down further.
Added to this is the appalling killing of elephants and lions, distasteful enough four decades ago, but seemingly of no moral problem to Paul - quite a surprising tack to take by producers of a show about a man yearning to preserve his own life.
Watch a video clip from this episode on the same page
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Leslie Nielsen
as Mark Foster
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Lesley-Ann Warren
as Julie Foster
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Louise Latham
as Claire Burden
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Abraham Sofaer
as Mr. Singh
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Keith McConnel
as O'Connor
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Ivor Barry as
Dr. McEwen
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Jean Durand
as Ahmed
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